对新秧歌剧与新歌剧历史衍变的认识

发布时间：2018-06-29 11:00

本文选题：新歌剧 + 《白毛女》　；参考：《人民音乐》2015年12期

【摘要】：正在中国现代音乐史上,甚至是中国现代艺术史上,延安新秧歌剧都是一个不可忽视的课题。作为一种特定时期的特有艺术现象和艺术新品种,它与之后出现的"新歌剧"之间到底存在何种关系和渊源?这在当时及后来的文艺界,尤其是歌剧理论界引起了极大重视,并展开过热烈的讨论。有观点认为,"在努力寻求中国歌剧最初观众的过程中,把歌剧这种外来音乐戏剧艺术形式与类似传统歌舞剧的秧歌嫁接,巧妙地找到了在传统文化中着床的土壤",这些大型秧歌剧作
[Abstract]:In the history of modern Chinese music, even in the history of modern Chinese art, Yan'an Xinyang opera is a subject that can not be ignored. As a special artistic phenomenon and new variety of art in a particular period, what kind of relationship and origin does it have with the "new opera" that appears afterwards? At that time and later in the literary and art circles, especially in the field of opera theory, great attention was paid to it, and a heated discussion was carried out. There is a view that "in the process of seeking the initial audience of Chinese opera, the foreign musical and dramatic art form of opera is grafted with Yangko, similar to the traditional musical and dance operas." Skillfully found the soil in the traditional culture ", these large rice operas.
【作者单位】：华东师范大学音乐学系;
【分类号】：J822

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