歌剧《原野》中“金子”的角色分析与演唱处理的研究

发布时间：2018-06-29 13:41

本文选题：歌剧《原野》 + 金子　；参考：《山东师范大学》2010年硕士论文

【摘要】： 歌剧《原野》是当今乐坛的经典。《原野》之所以如此成功,就在于它将剧中人物复杂、矛盾的心理,通过乐章、咏唱、表演的形式,进行了丰富的表达,让观众看到了一个个有血有肉、栩栩如生的舞台形象。本文将剧中的女主角金子作为研究对象,全面而深入地分析了金子的角色形象以及金子经典唱段的演唱处理。本文共分为五个部分。第一部分为前言,主要是对歌剧《原野》的地位和价值、本课题的研究目的与意义以及国内外关于该课题的研究现状及研究趋势进行综述。第二部分是对歌剧《原野》的概述。本章节分为四个要点。第一要点对文学剧本《原野》及它的作者曹禺先生进行介绍。第二点分析了歌剧《原野》的脚本创作背景。第三点解析了歌剧《原野》的音乐特点。第四点总结了歌剧《原野》的创作对中国新时期歌剧发展的启示。第三部分为本篇论文的重点章节,全面地分析“金子”形象。本章分为三个要点。第一要点介绍金子的角色来源。第二要点从“戏剧”和“音乐”两个方面剖析金子的艺术形象。第三要点分析了金子角色的地位和作用。第四部分主要是从专业的角度出发,分析了金子《哦,天又黑了》、《啊!我的虎子哥》以及《你们打我吧》这三首女高音咏叹调的演唱处理,包括对语气、音量、音色、气息、形体等方面对演唱者的要求。第五部分为结语,本部分结合自己几年的专业积累和感悟对全文金子形象塑造和演唱的相关分析做出总结。歌剧《原野》的创作较之以往的歌剧而言可以说是一种超越,但这种超越并没有与观众产生隔膜,而是起着“前导”的作用,这说明作曲家在大胆创新的同时,也注意到我们民族的欣赏习惯和当代人的审美规律,努力寻求歌剧表演的新形式与音乐本体的可欣赏性之间的平衡,因此可以说《原野》为我国新时期的歌剧发展奠定了坚实的基础。
[Abstract]:Opera "Plains" is a classic in today's music world. The reason why it is so successful is that it gives rich expression to the complex and contradictory psychology of the characters in the play through the forms of movement, chant, and performance. Let the audience see a flesh and blood, lifelike stage image. In this paper, the heroine gold as the research object, a comprehensive and in-depth analysis of the role of gold and gold classic singing treatment. This paper is divided into five parts. The first part is the preface, which mainly summarizes the status and value of opera, the purpose and significance of the research, and the current research situation and research trend of the subject at home and abroad. The second part is an overview of the opera field. This chapter is divided into four main points. The first point introduces the literary play the Field and its author, Mr. Cao Yu. The second point analyzes the script creation background of opera field. The third point analyzes the musical characteristics of opera field. The fourth point summarizes the inspiration of opera creation to the development of Chinese opera in the new period. The third part is the key chapter of this paper, the overall analysis of the image of "gold". This chapter is divided into three main points. The first point introduces the source of the role of gold. The second point is to analyze the artistic image of gold from two aspects: drama and music. The third point analyzes the role and status of the role of gold. The fourth part is mainly from a professional point of view, the analysis of gold < Oh, the sky is dark >, < ah! "my Tiger Brother" and "you hit me" these three soprano arias singing processing, including tone, volume, tone, breath, shape and other aspects of the singer requirements. The fifth part is the conclusion, this part combined with my own professional accumulation and understanding of the full text of gold image shaping and singing related analysis to make a summary. The creation of opera "field" can be said to be a kind of transcendence compared with previous operas, but this transcendence is not separated from the audience, but plays a "leading" role, which shows that the composer is making bold innovations at the same time. Noting also the appreciation habits of our people and the aesthetic laws of the present generation, and striving to find a balance between the new forms of opera performance and the appreciability of the music itself, Therefore, it can be said that the field laid a solid foundation for the development of opera in the new period of our country.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J822

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