歌剧《霍夫曼的故事》中的女性形象的塑造

发布时间：2018-07-02 15:28

本文选题：霍夫曼 + 戏剧　；参考：《青岛大学》2009年硕士论文

【摘要】： 本文以奥芬巴赫的歌剧《霍夫曼的故事》为研究对象,主要从歌剧中女主角的戏剧角色和音乐两个方面进行研究。共分为四章:第一章介绍了奥芬巴赫的生平经历和歌剧《霍夫曼的故事》的创作背景以及歌剧《霍夫曼的故事》的简要剧情。第二章内容涉及她们的社会角色和在剧中与男主角的人物关系以及她们角色的性格特征,从角色分配到戏剧冲突都进行了研究,并对这些性格特征进行总结归纳,第三章从声部划分、演唱技巧、曲式分析、伴奏织体等方面入手分析三个女主角的咏叹调,并给出了在演唱这些咏叹调时应该注意的一些问题,以求在以后的演出和表演中能够适当运用。第四章综述女主角的戏剧与音乐的完美结合,将剧作家、作曲家对爱情以及女人的观点与歌剧创作结合起来,更加深入的表现出作曲家对歌剧女主角的审美要求,也是对他理想中的女人的幻想。进一步的说明浪漫主义时期作曲家对梦幻艺术与虚幻爱情的追求与向往。
[Abstract]:In this paper, the opera of Ophinbach, the story of Hoffman, is taken as the research object, mainly from two aspects: the role of the heroine in the opera and the music. It is divided into four chapters: the first chapter introduces the life experience of Ophinbach, the background of the creation of the opera Hoffman's Story and the brief plot of the opera Hoffman's Story. The second chapter deals with their social roles, their relationship with the hero and their character characteristics, from the role assignment to the drama conflict, and summarizes these characteristics. The third chapter analyzes the arias of the three female protagonists from the aspects of voice division, singing skills, form analysis, accompaniment texture, and gives some problems that should be paid attention to when singing these arias. In order to be able to use in future performances and performances. Chapter four summarizes the perfect combination of drama and music of female protagonists, combines playwrights and composers' views of love and women with opera creation, and shows the composer's aesthetic demands on opera heroines. It was also an illusion of his ideal woman. Further explains the romantic period composer's pursuit and yearning for fantasy art and illusory love.
【学位授予单位】：青岛大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J832

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