巴厘戏剧的宗教内涵——以皮影戏、瓦扬翁为例
发布时间：2018-07-15 19:23
【摘要】：巴厘岛戏剧有丰富的表现形式,诸多形式只是其外在,而其宗基于当地的宗教,戏剧表演中的宗教意味十分浓厚。戏剧和宗教都肩负着拯救人类灵魂的功能。(1)当戏剧与宗教还没有分为两部分时,仪式就已经成为"戏剧"了;戏剧与神话的结合使它成为亵渎神灵的仪式,更甚至是超越传统宗教的东西,正因为戏剧的出现,在某种程度上起到了解放教徒或部落的精神活力的作用。
[Abstract]:Bali drama has rich forms of expression, many forms are just its external, and its religion is based on the local religion, drama performance in the religious meaning is very strong. Drama and religion have the function of saving the soul of mankind. (1) before drama and religion are divided into two parts, ritual has become "drama"; the combination of drama and mythology makes it a ritual of blasphemy. Even more than traditional religion, because of the emergence of drama, to some extent, the liberation of religious or tribal spiritual vitality.
【作者单位】： 武汉大学艺术学院;
【分类号】：J827
本文编号：2125129
[Abstract]:Bali drama has rich forms of expression, many forms are just its external, and its religion is based on the local religion, drama performance in the religious meaning is very strong. Drama and religion have the function of saving the soul of mankind. (1) before drama and religion are divided into two parts, ritual has become "drama"; the combination of drama and mythology makes it a ritual of blasphemy. Even more than traditional religion, because of the emergence of drama, to some extent, the liberation of religious or tribal spiritual vitality.
【作者单位】： 武汉大学艺术学院;
【分类号】：J827
【参考文献】
相关期刊论文 前1条
1 米古尔·科瓦鲁比亚斯,韩纪扬;巴厘戏剧[J];戏剧艺术;2001年02期
【共引文献】
相关期刊论文 前3条
1 汪悦婷;;巴厘戏剧的宗教内涵——以皮影戏、瓦扬翁为例[J];戏剧艺术;2017年02期
2 胡鹏林;;误读与回流:阿尔托跨文化戏剧实践及其影响[J];文艺研究;2011年07期
3 曹雷雨;;阿尔托与“东方戏剧”[J];文艺研究;2008年05期
，本文编号：2125129
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