京剧艺术片发展与审美研究

发布时间：2018-07-20 13:41

【摘要】： 戏曲艺术片是戏曲与现代传媒结合的重要形式,它通过电影的技术手段来展现中国的传统艺术。本文从概念的界定出发,以京剧艺术片为例,分析京剧与电影相结合的可能性,梳理它发展的历史,概括京剧从舞台到银屏的变化,对不同时代背景下拍摄的不同类型和题材的京剧艺术片的美学特征进行分析,阐释京剧艺术片的审美特点,分析拍摄中的方法经验,总结不同影片的各个共性特征和历史意义,尤其是以普遍获得肯定的影片为例,探讨京剧艺术片创作中的艺术规律,提出“大写意,小写实”、“写情、写景、写人三位一体”和“诗化的节奏”三大创作原则,得出“在尊重戏曲艺术规律的前提下,在保持戏曲艺术写意的艺术风格基础上,在诗化的审美取向上达到镜头语言与戏曲艺术本体的统一”的结论。
[Abstract]:Opera art film is an important form of the combination of opera and modern media. It shows Chinese traditional art through the technical means of film. Based on the definition of the concept, this paper analyzes the possibility of the combination of Beijing opera and film, combs the history of its development, and generalizes the change of Beijing opera from stage to screen, taking the art film of Beijing opera as an example. This paper analyzes the aesthetic characteristics of different types and subjects of Beijing Opera art films shot under different background, explains the aesthetic characteristics of Beijing opera art films, analyzes the experience of methods in shooting, and summarizes the common features and historical significance of different films. In particular, taking the generally recognized films as an example, this paper probes into the artistic rules in the creation of Beijing Opera art films, and puts forward three creative principles: "large freehand brushwork, small realism", "writing feelings, writing scenery, writing the trinity of people" and "poetic rhythm". The conclusion is that on the premise of respecting the law of opera art, on the basis of maintaining the artistic style of freehand brushwork of opera art, the unity of lens language and opera art Noumenon can be achieved on the basis of poetic aesthetic orientation.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J821

【共引文献】