贝利尼歌剧《凯普莱特与蒙太古》中朱丽叶之剖析
发布时间：2018-07-23 19:04
【摘要】：温琴佐·贝利尼(Vincenzo Bellini,1801—1835)是19世纪上半叶与罗西尼、唐尼采蒂并驾齐驱的三位意大利歌剧大师之一,他的音乐语言对许多作曲家的音乐创作曾产生极大影响,无论在人物形象刻划、旋律方法等方面都堪为浪漫主义歌剧之典范。 本论文以贝利尼(Vincenzo Bellini)的歌剧《凯普莱特与蒙太古》(I Capuleti ed I Montecchi,该剧剧名翻译版本较多,恕不赘述)中朱丽叶(Giulietta,又译为朱莉埃塔)的音乐语言和演唱处理等进行研究。该剧虽不及《梦游女》、《诺尔玛》、《清教徒》出名,但剧中朱丽叶的咏叹调和重唱部分在声乐技巧、音乐表现、戏剧表演等对歌剧演员有极高的要求。 本文首先从《凯普莱特与蒙太古》产生的时代背景以及当时的浪漫主义思潮出发,通过进一步阐述贝利尼歌剧创作的浪漫主义风格,深入解读歌剧《凯普莱特与蒙太古》的剧情展开、戏剧结构、人物关系、音乐表现等因素。发掘其音乐的抒情性、戏剧性特征,剖析其赋予人物的个性性特点。最后,节选朱丽叶的部分代表性的唱段,深入阐述贝利尼刻画人物的手法,以准确把握朱丽叶在这-特定戏剧情境中的性格和语言特征,进而就如何演唱有关唱段提出本人的学习心得和演绎认知。除了“前言”以外,全文共分三章。“前言”简释本论文标题。第一章论述贝利尼笔下的朱丽叶。第二章解读《凯普莱特与蒙太古》的戏剧结构与音乐语言。第三章对朱丽叶艺术形象的演绎加以分析。
[Abstract]:Vincenzo Bellinin 1801-1835 was one of the three Italian opera masters in the first half of the 19th century, alongside Rossini and Donetzetti. His musical language had a great influence on the music creation of many composers. It can be regarded as the model of Romantic opera in the aspects of character characterization, melody method and so on. This thesis studies the musical language and singing processing of Juliet (Giulietta) in Bellini (Vincenzo Bellini) 's opera "Capulet and Montague" (I Capuleti ed I Montecchi, which has many translated versions. Although the play is not as famous as sleepwalkers, Norma, Puritans, the arias and recitals of Juliet have great demands on opera actors in vocal music skills, musical performance, theatrical performances, etc. From the background of the emergence of Capulet and Montague and the Romantic trend of thought at that time, this paper expounds the Romantic style of Bellini's opera creation. In-depth interpretation of opera "Capulet and Montague" plot development, drama structure, character relations, music performance and other factors. Explore the lyrical and dramatic features of his music, and analyze the personality of the characters. Finally, excerpts from some of Juliet's representative verses, deeply expounding Bellini's techniques of portraying characters, in order to accurately grasp Juliet's character and language characteristics in this particular drama situation. Then put forward my learning experience and deductive cognition on how to sing songs. In addition to the preface, the full text is divided into three chapters. A brief explanation of the title of this thesis. The first chapter discusses Juliet by Bellini. The second chapter interprets the dramatic structure and musical language of Capulet and Montague. The third chapter analyzes the deduction of Juliet's artistic image.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J832
本文编号：2140362
[Abstract]:Vincenzo Bellinin 1801-1835 was one of the three Italian opera masters in the first half of the 19th century, alongside Rossini and Donetzetti. His musical language had a great influence on the music creation of many composers. It can be regarded as the model of Romantic opera in the aspects of character characterization, melody method and so on. This thesis studies the musical language and singing processing of Juliet (Giulietta) in Bellini (Vincenzo Bellini) 's opera "Capulet and Montague" (I Capuleti ed I Montecchi, which has many translated versions. Although the play is not as famous as sleepwalkers, Norma, Puritans, the arias and recitals of Juliet have great demands on opera actors in vocal music skills, musical performance, theatrical performances, etc. From the background of the emergence of Capulet and Montague and the Romantic trend of thought at that time, this paper expounds the Romantic style of Bellini's opera creation. In-depth interpretation of opera "Capulet and Montague" plot development, drama structure, character relations, music performance and other factors. Explore the lyrical and dramatic features of his music, and analyze the personality of the characters. Finally, excerpts from some of Juliet's representative verses, deeply expounding Bellini's techniques of portraying characters, in order to accurately grasp Juliet's character and language characteristics in this particular drama situation. Then put forward my learning experience and deductive cognition on how to sing songs. In addition to the preface, the full text is divided into three chapters. A brief explanation of the title of this thesis. The first chapter discusses Juliet by Bellini. The second chapter interprets the dramatic structure and musical language of Capulet and Montague. The third chapter analyzes the deduction of Juliet's artistic image.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J832
【参考文献】
相关期刊论文 前1条
1 李莉;;生死的契约 负心的绝唱——贝利尼和《清教徒》[J];歌剧;2009年01期
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