清代北京俗文艺演变与旗人社会研究
发布时间：2018-07-23 16:01
【摘要】：本文以历史发展为线索,运用戏曲学、历史学、文艺学的交叉研究方法,通过搜集、整理和分析官方档案文献、文人笔记、戏曲曲艺文本,系统梳理清代各个时期北京城市旗人社会与俗文艺之间的互动关系,重点探讨戏曲、曲艺等俗文化在清代繁荣发展背后的特殊历史因素,探索其背后的旗人思想文化构建过程,以及这种良性互动对于中国戏曲史的积极意义。全文共分三部分,首设绪论,尾置结论,正文三章。第一章,探讨清代前期旗人群体特殊的社会制度建立过程,以及这一时期北京地区戏曲文化的整体状况对旗人群体思想文化建构的影响。第二章以乾隆时期花雅之争为开端,探讨旗人在市民化后对俗文化从观赏到介入的转变,以及这种变化背后审美取向的影响。第三章以清后期京剧的出现和高速发展为核心,探讨旗人社会制度逐步瓦解与俗文艺繁荣的内在联系。
[Abstract]:Based on the clue of historical development and the cross-research methods of drama, history and literature, this paper collects, arranges and analyzes official archives, literati notes, and opera art texts. This paper systematically combs the interactive relationship between Beijing city flag people society and popular literature and art in every period of Qing Dynasty, probes into the special historical factors behind the prosperity and development of traditional culture such as opera, quyi and so on, and probes into the process of constructing the ideology and culture of the flag people behind it. And the positive significance of this kind of benign interaction to the history of Chinese opera. The full text is divided into three parts, the first introduction, the end of the conclusion, the text of the three chapters. The first chapter discusses the establishment process of the special social system of the flag group in the early Qing Dynasty and the influence of the whole situation of the opera culture in Beijing on the ideological and cultural construction of the flag group in this period. The second chapter begins with the controversy of flower elegance in Qianlong period, and discusses the change of the folk culture from appreciation to intervention after the city becomes a citizen, and the influence of the aesthetic orientation behind this change. The third chapter focuses on the emergence and rapid development of Beijing Opera in the late Qing Dynasty, and discusses the internal relationship between the gradual disintegration of the banners' social system and the prosperity of popular literature and art.
【学位授予单位】：中国艺术研究院
【学位级别】：博士
【学位授予年份】：2017
【分类号】：J809.2
，
本文编号：2139913
[Abstract]:Based on the clue of historical development and the cross-research methods of drama, history and literature, this paper collects, arranges and analyzes official archives, literati notes, and opera art texts. This paper systematically combs the interactive relationship between Beijing city flag people society and popular literature and art in every period of Qing Dynasty, probes into the special historical factors behind the prosperity and development of traditional culture such as opera, quyi and so on, and probes into the process of constructing the ideology and culture of the flag people behind it. And the positive significance of this kind of benign interaction to the history of Chinese opera. The full text is divided into three parts, the first introduction, the end of the conclusion, the text of the three chapters. The first chapter discusses the establishment process of the special social system of the flag group in the early Qing Dynasty and the influence of the whole situation of the opera culture in Beijing on the ideological and cultural construction of the flag group in this period. The second chapter begins with the controversy of flower elegance in Qianlong period, and discusses the change of the folk culture from appreciation to intervention after the city becomes a citizen, and the influence of the aesthetic orientation behind this change. The third chapter focuses on the emergence and rapid development of Beijing Opera in the late Qing Dynasty, and discusses the internal relationship between the gradual disintegration of the banners' social system and the prosperity of popular literature and art.
【学位授予单位】：中国艺术研究院
【学位级别】：博士
【学位授予年份】：2017
【分类号】：J809.2
，
本文编号：2139913
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