近三十年中国电视戏曲研究述评

发布时间：2018-08-05 11:55

【摘要】：电视的普及对中国传统戏曲艺术来讲既是挑战，又是机遇。它不仅为戏曲传承提供了新的载体，同时也丰富了电视艺术的表现内容。改革开放以来，电视戏曲进入了蓬勃发展的新时期，对这一艺术形式的研究也呈现出“百花齐放，百家争鸣”的良好局面：研究意识有所增强，，研究队伍不断壮大，研究内容和领域也大有拓宽，为我国电视戏曲艺术的发展做出了不小的贡献。然而，电视戏曲的发展并非一帆风顺，直至目前，这一新兴艺术类型并非广大人民群众喜闻乐见的艺术形式之一，其艺术地位也远远低于其它电视艺术形式。在理论建设方面，电视戏曲理论研究也仍旧处于起步阶段，对于许多本质性、基础性问题的认识还比较模糊，也没有达成共识。在处理和解决这类问题的方法上也没有明确的规定和统一的准则。电视戏曲发展过程中的种种现实状况也就意味着电视戏曲从创作到理论研究尚处于不成熟的阶段，有待于广大学者进一步探索。本文将理论与具体资料相结合，把近三十年电视戏曲研究的内容划分为本质和艺术形态、发展状况、美学、创作以及戏曲电视剧专题五个部分。通过对具体资料的分析、梳理，详细地阐述了这一时期电视戏曲研究领域中的主要内容和成果，并在电视与戏曲联姻的方式方法以及电视戏曲本体研究等方面发表了自己的见解和看法。如电视戏曲要尽快建立一套属于自己的语言系统来解决电视与戏曲写实和写意的矛盾；电视戏曲表演要贴近生活；在美学研究方面要注重对电视戏曲美学本体价值的探索等等。本文在对近三十年电视戏曲研究状况进行回顾与反思后，还分析了本时期电视戏曲研究繁荣的主要原因，归纳了研究方法，指出了研究中存在的缺陷和不足，并表明了电视戏曲研究的意义与作用，提出了对电视戏曲发展和电视戏曲理论建设较为具体的意见和建议，力求为电视戏曲这门艺术的成长贡献一点绵薄之力。
[Abstract]:The popularization of TV is both a challenge and an opportunity for Chinese traditional opera art. It not only provides a new carrier for opera inheritance, but also enriches the performance of TV art. Since the reform and opening up, TV drama has entered a new period of vigorous development. The research on this art form also presents a good situation of "a hundred flowers blossom, a hundred schools of thought contend": the research consciousness has been strengthened, and the research team has been growing. The research contents and fields have also been greatly broadened, which has made a great contribution to the development of Chinese TV opera art. However, the development of TV opera is not smooth sailing, up to now, this new art type is not one of the popular art forms, and its artistic status is far lower than other TV art forms. In the aspect of theoretical construction, the theoretical study of TV drama is still in its infancy. There are also no clear rules and uniform guidelines on how to deal with and solve such problems. All kinds of realistic conditions in the development of TV drama also mean that the TV opera is still in an immature stage from creation to theoretical research, which needs to be further explored by many scholars. In this paper, the author combines the theory with the specific materials, and divides the content of the research on TV drama into five parts: essence and artistic form, development, aesthetics, creation and drama. Through the analysis of the specific materials, this paper expounds in detail the main contents and achievements in the field of TV drama research in this period. The author also puts forward his own opinions and opinions on the combination of TV and opera, as well as the study of TV opera itself. For example, TV opera should establish its own language system as soon as possible to solve the contradiction between TV and drama realism and freehand brushwork; TV opera performance should be close to life; in aesthetic research, attention should be paid to the exploration of the aesthetic value of TV opera aesthetics, and so on. After reviewing and reflecting on the research situation of TV drama in the past 30 years, this paper also analyzes the main reasons for the prosperity of TV drama research in this period, summarizes the research methods, and points out the defects and shortcomings in the research. It also shows the significance and function of the study of TV opera, and puts forward some concrete opinions and suggestions on the development of TV opera and the construction of TV drama theory, and tries to contribute a little bit to the growth of TV drama.
【学位授予单位】：山西师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J805

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