从《费加罗的婚礼》看莫扎特喜歌剧的艺术特色
发布时间：2018-08-05 12:04
【摘要】： 在莫扎特短短的一生中,共创作了22部歌剧,其中喜歌剧占有主导地位。《费加罗的婚礼》可谓是莫扎特的所有歌剧中流传最广、演出率最高的歌剧。他用音符宣泄着他的情感。在歌剧《费加罗的婚礼》中,矛盾冲突的导火索就是作为贵族阶层的伯爵,想恢复本已经废除的初夜权,来占有垂涎已久的苏珊娜。莫扎特把他对人物的爱和恨、赞扬和讽刺全部融化到音乐中去。《费加罗的婚礼》中最重要的艺术特色就是重唱和小人物的角色塑造。在莫扎特的所有喜歌剧作品中,《费加罗的婚礼》中重唱的数量最多,经常被单独演出,最能直接刻画人物性格、激化矛盾冲突,其精彩程度绝不亚于里面的咏叹调。《费加罗的婚礼》中的小人物(例如玛切琳娜、巴尔托洛),从头至尾贯穿整个歌剧,使情节环环相扣,矛盾层出不穷并达到白热化。而且,最终使矛盾化解出现转机的也是他们。本文通过对重唱唱段的分析来探讨和研究《费加罗的婚礼》中重唱刻画人物的性格、制造矛盾冲突。以第一幕的二重唱、三重唱和第三幕的六重唱为例,体现重唱——这种丰富的音乐形式对展开戏剧情节、增加矛盾冲突和带来喜剧效果起到的非常关键的作用；通过对玛切琳娜和巴尔托洛这两个典型小人物的角色分析和舞台表演,体现小人物对歌剧的情节发展和喜剧效果起到的关键作用。本人从声乐演唱者的角度出发,阐述喜歌剧的演唱风格及特征,体现声乐在歌剧中的重要地位和作用,使演唱者在实践中更好地理解喜歌剧作品的精神内涵、成功塑造人物形象。
[Abstract]:In Mozart's short life, he wrote 22 operas, among which the happy opera dominated. The wedding of Figaro is the most popular and most popular opera of Mozart. He expressed his feelings with notes. In the opera the Wedding of Figaro, the conflict was triggered by the claim to the long-coveted Suzanne as an aristocratic count who wanted to restore the extinguished right to the first night. Mozart melts his love and hate, praise and satire into music. Of all Mozart's happy operas, Figaro's Wedding has the largest number of recitals, is often performed alone, and is the most direct portrayal of character, fuelling conflicts. It is no less exciting than the aria inside. The little man in Figaro's Wedding (such as Marcellina, Bartolo) runs through the opera from beginning to end, making the plot intertwined, contradictory and white-hot. Moreover, it is them who eventually resolve the conflict and turn the corner. This paper discusses and studies the character of the characters in Figaro's Wedding through the analysis of the choir, which creates contradictions and conflicts. Taking the duet of the first act, the trio and the sixth duet of the third act as examples, this rich musical form plays a very important role in the development of drama plot, the increase of contradiction and conflict, and the comedy effect. Through the role analysis and stage performance of two typical little characters, Marcellina and Bartolo, this paper shows the key role played by the little people in the development of the plot and the comedy effect of the opera. From the angle of vocal music singer, I expound the singing style and characteristics of Xi opera, embody the important position and function of vocal music in opera, and make the singer better understand the spiritual connotation of Xi opera works in practice. Succeed in shaping the character.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J832
本文编号：2165742
[Abstract]:In Mozart's short life, he wrote 22 operas, among which the happy opera dominated. The wedding of Figaro is the most popular and most popular opera of Mozart. He expressed his feelings with notes. In the opera the Wedding of Figaro, the conflict was triggered by the claim to the long-coveted Suzanne as an aristocratic count who wanted to restore the extinguished right to the first night. Mozart melts his love and hate, praise and satire into music. Of all Mozart's happy operas, Figaro's Wedding has the largest number of recitals, is often performed alone, and is the most direct portrayal of character, fuelling conflicts. It is no less exciting than the aria inside. The little man in Figaro's Wedding (such as Marcellina, Bartolo) runs through the opera from beginning to end, making the plot intertwined, contradictory and white-hot. Moreover, it is them who eventually resolve the conflict and turn the corner. This paper discusses and studies the character of the characters in Figaro's Wedding through the analysis of the choir, which creates contradictions and conflicts. Taking the duet of the first act, the trio and the sixth duet of the third act as examples, this rich musical form plays a very important role in the development of drama plot, the increase of contradiction and conflict, and the comedy effect. Through the role analysis and stage performance of two typical little characters, Marcellina and Bartolo, this paper shows the key role played by the little people in the development of the plot and the comedy effect of the opera. From the angle of vocal music singer, I expound the singing style and characteristics of Xi opera, embody the important position and function of vocal music in opera, and make the singer better understand the spiritual connotation of Xi opera works in practice. Succeed in shaping the character.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J832
【引证文献】
相关硕士学位论文 前1条
1 王丹;莫扎特歌剧创作中启蒙主义思想的研究[D];云南艺术学院;2012年
，本文编号：2165742
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