建国以来至“文革”前山东地方戏演出研究

发布时间：2018-08-14 19:10

【摘要】：建国以来至“文革”前十七年间的戏剧发展历史被称为“十七年”戏剧,是中国戏剧史的一个重大转折点,它代表着中国戏剧由“传统戏剧”到“现代戏剧”的一个阶段性转折。同时,也是一个承前启后的阶段,既是对解放战争以来戏剧的传承,也是后续戏剧发展的起点,因此,对这一时间段的戏剧演出情况进行研究有助于对于整体戏剧史的了解和未来戏剧的改革发展的探索借鉴。对山东省“十七年”间的传统戏剧改革和演出情况的研究的目的也在于此。本文通过对山东省文化艺术志资料汇编及《中国戏曲志·山东卷》等史志资料的研究,对山东1949年至1966年间的地方戏的戏改政策、戏改机构、戏改活动实施情况、剧团分布、演职人员培养、剧目改编创作、演出情况等进行探讨。本文共分为七个部分:绪论、正文五章、结语。绪论部分根据此前山东地方戏的研究情况,分析选题背景和选题意义,概述本文的研究方法和创新点。正文第一章分析戏改政策,对山东地方戏的戏改机构和戏改活动实施情况进行分析,以求客观展现山东戏改活动的实施情况。第二章主要以列表形式展现山东地方戏的剧团成立和分布情况,并对剧团在各市的分布情况进行分析。第三章对戏改前后演职人员的社会地位、培养方式和待遇问题进行论述。第四章以重点剧目为例,分析改编的传统剧目和创作的现代剧目(包括新编历史剧和现代小戏)的语言特点、人物形象、故事情节、剧本结构和主题表达等,并将两类剧目与未经改编的传统剧目进行比较,分析剧目思想倾向的变化。第五章介绍山东的主要演出场所,并对山东地方戏现实主义演出风格从演员表演、舞台艺术和剧目内容等方面进行分析。最后结语部分,通过对山东戏改活动的研究,总结山东戏改的得失与价值,探讨其对现代传统戏剧改革发展的借鉴意义。
[Abstract]:The history of drama development from the founding of the people's Republic of China to the first 17 years of the Cultural Revolution is called "17 years" drama, which is a major turning point in the history of Chinese drama. It represents a stage transition of Chinese drama from traditional drama to modern drama. At the same time, it is also a stage connecting the past and the future. It is not only the inheritance of the drama since the War of Liberation, but also the starting point for the subsequent development of the drama. Therefore, The study of this period is helpful to the understanding of the whole history of drama and the exploration and reference of the reform and development of the future drama. The purpose of the study on the traditional drama reform and performance in Shandong Province is 17 years. Based on the study of the compilation of cultural and artistic records of Shandong Province and the historical records of Chinese Drama Records Shandong Volume, this paper makes a study of the local opera reform policy, the organization of opera reform, the implementation of drama reform activities, and the distribution of theatrical troupes in Shandong Province from 1949 to 1966. Performance personnel training, repertoire adaptation and creation, performance situation and so on are discussed. This article is divided into seven parts: introduction, body five chapters, conclusion. In the introduction part, according to the research situation of Shandong local opera, the background and significance of the selected topic are analyzed, and the research methods and innovations of this paper are summarized. The first chapter of the text analyzes the policy of drama reform and analyzes the implementation of the local opera reform organization and the opera reform activities in order to objectively show the implementation of Shandong opera reform activities. The second chapter mainly shows the establishment and distribution of Shandong local opera troupes in the form of tables, and analyzes the distribution of the troupes in various cities. The third chapter discusses the social status, training methods and treatment of the performers before and after the drama reform. The fourth chapter takes the key repertoire as an example to analyze the language characteristics, characters, story plot, script structure and theme expression of the adapted traditional repertoire and the modern repertoire (including the new historical drama and the modern drama). And compare the two kinds of repertoire with unadapted traditional repertoire, and analyze the change of the tendency of the repertoire thought. The fifth chapter introduces the main performing places in Shandong, and analyzes the realistic performance style of Shandong local opera from the aspects of actor performance, stage art and repertoire. Finally, the conclusion part, through the study of Shandong opera reform activities, summarizes the gain and loss of Shandong opera reform and its value, and discusses its reference significance for the development of modern traditional drama reform.
【学位授予单位】：济南大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J825

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