从现存戏曲宫谱看“清宫”与“戏宫”——以“临川四梦”宫谱为例
发布时间：2018-08-18 07:53
【摘要】：戏曲界一直以来习惯将戏曲宫谱分为"清宫"与"戏宫",并提出若干相关概念以作为区分二者的标准。而在剧目选择方面,单折清宫谱的数目与舞台演出的频繁程度一致,就现存文献来看,戏曲宫谱的具体内容并不因清宫、戏宫而有所区别,二者的不同特点在现实中未明显呈现。"清宫"与"戏宫"在现实中并无明显界限,一定要人为的将其分割开来,甚至使二者形成对立,对戏曲发展是十分不利的。
[Abstract]:Opera circle has been used to divide the opera palace spectrum into "Qing Palace" and "Opera Palace", and put forward a number of related concepts to distinguish the two standards. In terms of the selection of repertoire, the number of the single fold of the Qing Palace spectrum is consistent with the frequency of the stage performances. In terms of the existing literature, the specific contents of the opera palace spectrum are not different from those of the Qing Palace and the Opera Palace. The difference between the two is not apparent in reality. " There is no obvious boundary between the Qing Palace and the Opera Palace in reality. It is necessary to divide them artificially and even to make the two opposing, which is very disadvantageous to the development of opera.
【作者单位】： 浙江大学古代文学与文化研究所;
【分类号】：J805
本文编号：2188828
[Abstract]:Opera circle has been used to divide the opera palace spectrum into "Qing Palace" and "Opera Palace", and put forward a number of related concepts to distinguish the two standards. In terms of the selection of repertoire, the number of the single fold of the Qing Palace spectrum is consistent with the frequency of the stage performances. In terms of the existing literature, the specific contents of the opera palace spectrum are not different from those of the Qing Palace and the Opera Palace. The difference between the two is not apparent in reality. " There is no obvious boundary between the Qing Palace and the Opera Palace in reality. It is necessary to divide them artificially and even to make the two opposing, which is very disadvantageous to the development of opera.
【作者单位】： 浙江大学古代文学与文化研究所;
【分类号】：J805
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