论女高音咏叹调中戏剧性与音乐性悲剧元素对人物塑造的影响
发布时间：2018-08-18 10:47
【摘要】：歌剧,作为一门以歌唱和音乐来交代和表达剧情的西方舞台表演艺术,既综合了文学和音乐,又包含剧场的典型元素(如背景、服装、表演等),与我国的戏曲艺术有异曲同工之妙。而在西方歌剧当中,往往悲剧性结局或以悲剧作为主要线索的作品更加经典。眼泪恒久远,悲剧永流传,它在演唱者的表演过程中最具有表现力,它在观众心中更容易留下不可磨灭的印记。笔者通过对西方歌剧文献的检索,发现大多数文章是通过文学的角度去分析悲剧元素,还有一部分是从音乐史理论的角度去分析咏叹调的音乐结构,而学院派声乐教学又大多以古典、浪漫主义时期,如莫扎特、罗西尼、威尔第、普契尼的作品为重点,对于亨德尔、巴赫等巴洛克时期作曲家作品的演唱较少。因此,本论文选取了两段具有代表性的巴洛克时期女高音咏叹调《我哭泣,为我的命运》和《哪里去了,美好时光》作研究目标,研究戏剧中的悲剧音乐元素。对人物塑造的影响,从戏剧性和音乐性角度,在分析女高音咏叹调的学习、演唱、表现等方面,通过歌剧中戏剧性与音乐性的悲剧元素的融合,进行深入剖析,从而达到更好地演唱歌剧作品,提高表演素养的目的。
[Abstract]:Opera, as a kind of Western stage performing art which expresses the plot by singing and music, not only integrates literature and music, but also contains the typical elements of theatre (such as background, costume, performance, etc.), which is different from the traditional Chinese opera. In western opera, tragic ending or tragedy is the main clue. Tears are eternal, tragedies are perpetual, they are the most expressive in the performance of the singer, and they are easier to leave indelible imprint in the hearts of the audience. From the perspective of historical theory to analyze the music structure of aria, and the academician vocal music teaching is mostly classical, romantic period, such as Mozart, Rossini, Verdi, Puccini works as the focus, for Handel, Bach and other Baroque composers to sing less. The soprano arias of Locke's period < I Cry, For My Fate > and < Where's Gone, Good Time > were studied to study the tragic musical elements in drama. The influence on the characterization was analyzed from the dramatic and musicality angles, including the study, singing and expression of soprano arias, through the drama and musicality tragedy in opera. The fusion of opera elements is analyzed in depth so as to achieve the purpose of better singing opera works and improving the performance quality.
【学位授予单位】：山西师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J617.2
本文编号：2189228
[Abstract]:Opera, as a kind of Western stage performing art which expresses the plot by singing and music, not only integrates literature and music, but also contains the typical elements of theatre (such as background, costume, performance, etc.), which is different from the traditional Chinese opera. In western opera, tragic ending or tragedy is the main clue. Tears are eternal, tragedies are perpetual, they are the most expressive in the performance of the singer, and they are easier to leave indelible imprint in the hearts of the audience. From the perspective of historical theory to analyze the music structure of aria, and the academician vocal music teaching is mostly classical, romantic period, such as Mozart, Rossini, Verdi, Puccini works as the focus, for Handel, Bach and other Baroque composers to sing less. The soprano arias of Locke's period < I Cry, For My Fate > and < Where's Gone, Good Time > were studied to study the tragic musical elements in drama. The influence on the characterization was analyzed from the dramatic and musicality angles, including the study, singing and expression of soprano arias, through the drama and musicality tragedy in opera. The fusion of opera elements is analyzed in depth so as to achieve the purpose of better singing opera works and improving the performance quality.
【学位授予单位】：山西师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J617.2
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