中国现代知识分子与戏曲改革

发布时间：2018-09-02 07:44

【摘要】：中国戏曲自12世纪成型,历经种种兴衰,不过,戏曲的这些嬗变都是在中华文化的内部进行的。清末,中国面临千年未有之大变局。其后,戏曲发展的历史路径便开始与以前有了根本的不同。一百多年来,要求改革戏曲的呼声持续不断,而这些诉求常常是和受到西方文化影响的中国现代知识分子密切相关的。20世纪最具代表性的三次改革戏曲的诉求,即清末的"戏曲改良"、新文化运动中对于戏曲的批判、20世纪50年代的"戏曲改革运动",都不是从戏曲界的内部自发产生的,而是因西方文化的影响,从戏曲界的外部、由原本和戏曲没有太大关系的知识分子们所发起和推动的。由于现代知识分子的介入,特别是由于20世纪50年代的"戏曲改革运动",中国戏曲彻底改变了它原有的自然状态和发展方向。
[Abstract]:Chinese opera has undergone various ups and downs since the 12 th century. However, these changes are carried out within Chinese culture. At the end of the Qing Dynasty, China was confronted with a great change in the last millennium. After that, the historical path of opera development began to be fundamentally different from the previous one. For more than a hundred years, calls for reform of opera have continued, and these demands are often those of the three most representative reform operas of the 20th century, which are closely related to modern Chinese intellectuals influenced by Western culture. That is, the "opera improvement" in the late Qing Dynasty, the criticism of the opera in the New Cultural Movement and the "opera reform movement" in the 1950s did not arise spontaneously from the inside of the opera world, but because of the influence of western culture, and from the outside of the opera world. Initiated and promoted by intellectuals who had little to do with opera. Due to the intervention of modern intellectuals, especially the "opera reform movement" in the 1950s, Chinese opera has completely changed its original natural state and development direction.
【作者单位】： "中央大学"中国文学系;
【分类号】：J809.2

【相似文献】