山东吕剧调查与研究
发布时间：2018-09-04 10:44
【摘要】：吕剧曾名“化妆扬琴”、“琴戏”等,在山东临邑、济阳一带也被称为“迷戏”,在胶东则又叫“蹦蹦戏”,是山东省具有代表性的地方剧种,也是全国八大戏曲种类之一。 吕剧酝酿于民间说唱艺术“山东琴书”(坐腔扬琴),同时又吸收融合了如“大鼓”、“弋阳腔”、“坠子”等其它民间戏曲、曲艺精华,借鉴化用了“五音戏”、“b}腔”、“柳腔”、“京剧”、“梆子腔”等剧种中适于自身的某些音乐腔调、表演等成份,不断地丰富、发展、完善,而一跃成为山东省重要的代表性剧种。吕剧是黄河三角洲地区及至山东省文化发展的产物。它起源、兴盛于素有吕剧“窝子”之称的博兴、广饶一带地区,成长、成熟并定型于济南等大城市,流传于江苏、新疆、黑龙江、辽宁等地。 吕剧以山东琴书主调【凤阳歌】为曲调母体产生出基本腔调【四平腔】,使唱腔结构由曲牌联套体演变为板腔体,又由【四平腔】衍生出【慢四平】、【快四平】、【四平散板】等多种板式;以山东琴书曲调【垛子板】发展出【二板】,又由【二板】进而衍生出【慢二板】、【快二板】等丰富的戏曲音乐板式。吕剧唱腔以板腔体为主,兼唱曲牌。曲调简单朴实、柔美动听、灵活顺口、易学易唱。在长期的演出实践中,吕剧的唱腔、念白统一于以“济南官话“为基础。 吕剧富有浓郁的齐鲁文化韵味,乡村气息浓重,许多优秀剧目生动地反映出齐鲁民俗风情,内容健康活泼,戏词风趣诙谐,具有较高的思想性和艺术性。 吕剧迄今发展有百年历史,在二十世纪五、六十年代一度辉煌,文革时又遭受了巨大破坏。新时期,吕剧又得以恢复和发展。而电视、电影等新媒介的兴起,使吕剧的发展受到了很大挑战,同时吕剧艺术自身包括音乐和题材内容等方面也存在着诸多问题,亟待改革以顺应时代潮流。2008年,吕剧被收入第二批国家非物质文化遗产名录,其保护、传承、发展问题越来受到人们的重视。 本文在对吕剧实地调查的基础上,结合吕剧史料、戏曲史、戏曲美学、戏曲文化学、戏曲社会学等知识对吕剧源流、吕剧艺术表现形式、吕剧生态进行全面、系统的透析。在此基础上,联系国家非物质文化遗产保护工作的展开,来探讨吕剧的发展对策,使其重新焕发光彩。 吕剧根植于齐鲁文化的深厚土壤,是一笔无形的文化财富,对其进行深入探讨和研究,对传承齐鲁乃至中国的优秀传统文化具有重要的历史和社会意义。 第一章,绪论部分,主要是对本文研究的原因和意义、当前研究成果,以及本文的研究方法、创新之处作系统、详细的介绍,突出本文研究的价值所在。 第二章,针对吕剧音乐腔调的原生态、形成时间、产生地、创始人以及定名等社会上莫衷一是的问题,在调查采访的基础上结合吕剧史料、戏曲知识对其进行客观、科学的探讨和分析。 第三章对吕剧母体山东琴书的历史源流作系统探析,探索出吕剧产生的内在因素和外在动因。 第四章,对吕剧的艺术特色作系统、全面、深入地探讨,对其各种表现形式包括音乐、剧本、行当表演等,在前人研究成果的基础上,进行实地考察(包括对剧团提供的各个时期的剧本、现场观看并拍摄剧团排练、演出等)和采访,对各个艺术组成部分做深入的探讨和研究。 第五章,通过查阅吕剧史料、市、县志并结合对吕剧起源地的调查采访所得来对吕剧的历史兴衰、流变作以客观、详细的归纳整理和研究。 第六章,对吕剧早期艺人班社、建国后各剧团及各个时期的代表人物等在查阅史料和调查采访的基础上,作详细、条分缕析的整理、介绍。 第七章,基于实地调查的成果对吕剧的生存状态和存在的问题作以客观分析。 第八章,结合非物质文化遗产保护工作的展开,为吕剧的保护和传承、创新与发展,提出切实可行的发展对策。 第九章,对本文研究做出总结,试图为以上对吕剧的探讨得出一个合理的结论,指出实地调查采访并结合戏曲理论知识对吕剧研究的价值和意义。
[Abstract]:Lu opera was once known as "make-up Yangqin" and "qin opera". In Linyi, Shandong Province, Jiyang is also known as "mystery opera" and in Jiaodong is also called "skipping opera". It is a representative local opera in Shandong Province and one of the eight major opera types in China.
Lu opera was brewed in the folk rap art "Shandong Qinshu" (sitting tune dulcimer), and at the same time absorbed and fused other folk operas such as "big drum", "Yiyang tune", "Zhuozi" and other folk operas, the essence of opera art, borrowed from the use of "five-tone opera", "b} tune", "Liu tune", "Peking opera", "Bangzi tune" and other operas suitable for their own tunes, such as some of the musical tunes, and so on. Luju Opera is the product of the cultural development of the Yellow River Delta and Shandong Province. It originated and flourished in Boxing, known as the "nest" of Luju Opera. Xinjiang, Heilongjiang, Liaoning and other places.
Luju Opera takes the main tune of Shandong Qinshu [Fengyang Song] as the matrix tune to produce the basic tune [Siping Tune], so that the structure of the singing tune evolves from the combination of music and cards to the panel tune, and from the [Siping Tune] [Slow Siping], [Quick Siping], [Siping Sanban], and other platforms; and from the tune of Shandong Qinshu [Pile Board], a variety of platforms have been developed. Luqu opera is characterized by its simple and simple tune, soft and pleasant, flexible and easy to learn and sing. In the long-term performance practice, the tune of Luqu opera is based on Jinan Mandarin.
Luju opera is full of rich Qilu culture charm, strong rural flavor, many excellent dramas vividly reflect Qilu folk customs, healthy and lively content, witty and humorous drama, with a high ideological and artistic.
Luju Opera has a history of one hundred years, once brilliant in the 1950s and 1960s, and suffered great damage during the Cultural Revolution. In the new period, Luju Opera was restored and developed. The rise of new media such as television and film has greatly challenged the development of Luju Opera. At the same time, the art of Luju Opera itself, including music and thematic content, also exists. In 2008, Lu Opera was included in the list of the second batch of national intangible cultural heritages. The protection, inheritance and development of Lu Opera have attracted more and more attention.
On the basis of the on-the-spot investigation of Lv Opera, this paper makes a comprehensive and systematic analysis of the origin, artistic forms and ecology of Lv Opera with the knowledge of Lv Opera history, drama history, drama aesthetics, drama culture and drama sociology. Develop strategies to revitalized them.
Luju opera is an intangible cultural treasure rooted in the deep soil of Qilu culture. It is of great historical and social significance for inheriting the excellent traditional culture of Qilu and even China to make a thorough study of it.
The first chapter, the introduction part, is mainly about the reasons and significance of this study, the current research results, as well as the research methods and innovations of this paper, to make a systematic and detailed introduction, highlighting the value of this study.
In the second chapter, aiming at the inconsistent problems in the society, such as the original state of tune, the time of formation, the place of origin, the founder and the designation of the tune, the author makes an objective and scientific discussion and Analysis on the basis of investigation and interview, and combines with the historical materials of Lu Opera.
In the third chapter, the author makes a systematic analysis of the historical origin of Shandong Qinshu, the mother body of Lu Opera, and explores the internal and external causes of the emergence of Lu Opera.
Chapter Four makes a systematic, comprehensive and in-depth study of the artistic features of Lv Opera. On the basis of previous research results, it makes a field investigation (including the scripts provided by the troupe at various stages, on-site watching and shooting troupe rehearsals, performances, etc.) and interviews with various art groups. Part of the research and discussion.
The fifth chapter, through consulting the historical materials of Luju Opera, city and county chronicles and combining with the investigation and interview of the origin of Luju Opera, summarizes and studies the rise and fall of Luju Opera objectively and in detail.
Chapter 6, on the basis of consulting historical materials and investigating and interviewing, makes a detailed and detailed arrangement and introduction of the early stage artists'clubs, troupes and representatives of various periods after the founding of the People's Republic of China.
The seventh chapter, based on the results of on-the-spot investigation, makes an objective analysis of Lu opera's living conditions and existing problems.
Chapter 8, combining with the protection of intangible cultural heritage, puts forward feasible development countermeasures for the protection, inheritance, innovation and development of Luju Opera.
Chapter Nine summarizes the study of this paper, trying to draw a reasonable conclusion for the above discussion of Luju, pointing out the value and significance of on-the-spot investigation and interview combined with the theoretical knowledge of opera to the study of Luju.
【学位授予单位】：山西师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J825
本文编号：2221846
[Abstract]:Lu opera was once known as "make-up Yangqin" and "qin opera". In Linyi, Shandong Province, Jiyang is also known as "mystery opera" and in Jiaodong is also called "skipping opera". It is a representative local opera in Shandong Province and one of the eight major opera types in China.
Lu opera was brewed in the folk rap art "Shandong Qinshu" (sitting tune dulcimer), and at the same time absorbed and fused other folk operas such as "big drum", "Yiyang tune", "Zhuozi" and other folk operas, the essence of opera art, borrowed from the use of "five-tone opera", "b} tune", "Liu tune", "Peking opera", "Bangzi tune" and other operas suitable for their own tunes, such as some of the musical tunes, and so on. Luju Opera is the product of the cultural development of the Yellow River Delta and Shandong Province. It originated and flourished in Boxing, known as the "nest" of Luju Opera. Xinjiang, Heilongjiang, Liaoning and other places.
Luju Opera takes the main tune of Shandong Qinshu [Fengyang Song] as the matrix tune to produce the basic tune [Siping Tune], so that the structure of the singing tune evolves from the combination of music and cards to the panel tune, and from the [Siping Tune] [Slow Siping], [Quick Siping], [Siping Sanban], and other platforms; and from the tune of Shandong Qinshu [Pile Board], a variety of platforms have been developed. Luqu opera is characterized by its simple and simple tune, soft and pleasant, flexible and easy to learn and sing. In the long-term performance practice, the tune of Luqu opera is based on Jinan Mandarin.
Luju opera is full of rich Qilu culture charm, strong rural flavor, many excellent dramas vividly reflect Qilu folk customs, healthy and lively content, witty and humorous drama, with a high ideological and artistic.
Luju Opera has a history of one hundred years, once brilliant in the 1950s and 1960s, and suffered great damage during the Cultural Revolution. In the new period, Luju Opera was restored and developed. The rise of new media such as television and film has greatly challenged the development of Luju Opera. At the same time, the art of Luju Opera itself, including music and thematic content, also exists. In 2008, Lu Opera was included in the list of the second batch of national intangible cultural heritages. The protection, inheritance and development of Lu Opera have attracted more and more attention.
On the basis of the on-the-spot investigation of Lv Opera, this paper makes a comprehensive and systematic analysis of the origin, artistic forms and ecology of Lv Opera with the knowledge of Lv Opera history, drama history, drama aesthetics, drama culture and drama sociology. Develop strategies to revitalized them.
Luju opera is an intangible cultural treasure rooted in the deep soil of Qilu culture. It is of great historical and social significance for inheriting the excellent traditional culture of Qilu and even China to make a thorough study of it.
The first chapter, the introduction part, is mainly about the reasons and significance of this study, the current research results, as well as the research methods and innovations of this paper, to make a systematic and detailed introduction, highlighting the value of this study.
In the second chapter, aiming at the inconsistent problems in the society, such as the original state of tune, the time of formation, the place of origin, the founder and the designation of the tune, the author makes an objective and scientific discussion and Analysis on the basis of investigation and interview, and combines with the historical materials of Lu Opera.
In the third chapter, the author makes a systematic analysis of the historical origin of Shandong Qinshu, the mother body of Lu Opera, and explores the internal and external causes of the emergence of Lu Opera.
Chapter Four makes a systematic, comprehensive and in-depth study of the artistic features of Lv Opera. On the basis of previous research results, it makes a field investigation (including the scripts provided by the troupe at various stages, on-site watching and shooting troupe rehearsals, performances, etc.) and interviews with various art groups. Part of the research and discussion.
The fifth chapter, through consulting the historical materials of Luju Opera, city and county chronicles and combining with the investigation and interview of the origin of Luju Opera, summarizes and studies the rise and fall of Luju Opera objectively and in detail.
Chapter 6, on the basis of consulting historical materials and investigating and interviewing, makes a detailed and detailed arrangement and introduction of the early stage artists'clubs, troupes and representatives of various periods after the founding of the People's Republic of China.
The seventh chapter, based on the results of on-the-spot investigation, makes an objective analysis of Lu opera's living conditions and existing problems.
Chapter 8, combining with the protection of intangible cultural heritage, puts forward feasible development countermeasures for the protection, inheritance, innovation and development of Luju Opera.
Chapter Nine summarizes the study of this paper, trying to draw a reasonable conclusion for the above discussion of Luju, pointing out the value and significance of on-the-spot investigation and interview combined with the theoretical knowledge of opera to the study of Luju.
【学位授予单位】：山西师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J825
【引证文献】
相关期刊论文 前1条
1 齐敏敏;;山东吕剧的调查研究[J];现代妇女(下旬);2013年07期
相关硕士学位论文 前2条
1 滕攀;湘西南路阳戏研究[D];陕西师范大学;2011年
2 董刚德;南路山东琴书调查与研究[D];山西师范大学;2012年
，本文编号：2221846
本文链接：https://www.wllwen.com/wenyilunwen/xijuwudaolunwen/2221846.html
