歌剧《乡村骑士》中桑图扎唱段的悲剧性研究

发布时间：2018-09-08 11:16

【摘要】：歌剧作曲家马斯卡尼的作品《乡村骑士》,作为意大利真实主义歌剧的代表之作,自罗马柯思丹剧院成功首演以来,一直成为世界各大歌剧院经常上演的重要剧目。《乡村骑士》从剧本到音乐创作,都试图打破浪漫主义的框架,将题材微距到西西里乡下一段爱与恨的复仇,作曲家摒弃了浪漫主义风格的典雅风格,努力营造出西西里人性格中的色彩,暗藏着浓郁的南国芳香以及乡下人感情中那种粗犷与狂野。直率与暴力成为歌剧具有突出特点的人文特征,文学中的真实主义在这部歌剧中得到了更有层次的彰显,这部歌剧虽然只有短短的一幕,但是步步矛盾的冲击对抗使其成为短而经典的绝世之作。本文以马斯卡尼的歌剧《乡村骑士》,这部真实主义作品作为研究依据,以桑图扎的悲剧性人物塑造为研究对象,通过对相关文献资料和影像资料的搜集和整理,解读马斯卡尼的生平与歌剧作品创作。同时,深入阐述真实主义文学对真实主义歌剧的实质性影响,从而进一步解读真实歌剧的基本特征、真实主义歌剧下人物形象的悲剧化塑造,最终为歌者成功的塑造角色,以及为研究者研究真实主义音乐、戏剧、文学的悲剧性特征提供不同的维度和视域的理论成果。真实主义歌剧虽然只在舞台上存在了仅二三十年的历史,它却像永远都不能缺席的少数派在历史的歌剧舞台上绽放着属于自己的光芒。本文第一章论述了作曲家马斯卡尼的生平,创作歌剧的基本概况,以及真实主义思潮下的文学与歌剧发展;第二章从歌剧《乡村骑士》的创作背景及剧情梗概入手,这是对歌剧《乡村骑士》的全景描述;论文的第三部分将成为本文的重点,详细论述桑图扎的悲剧化的人物塑造;最后的部分,笔者将以人物唱段为依托,以笔者的演唱实践为参照,提供重要唱段的可行性处理方法及研习手段。
[Abstract]:"the country Knight," by opera composer Mascani, since the successful premiere of the Corsdan Theatre in Rome, as a representative of Italian truism opera, It has always been an important part of the world's major opera houses. From the script to the creation of music, the Horseman has tried to break the Romantic frame and spread the subject to the revenge of love and hate in the Sicilian countryside. The composer abandoned the elegant style of romantic style, and tried to create the color of Sicilian character, hidden the strong fragrance of the South and the wild and rough in the feelings of the country people. Frankness and violence have become the humanistic characteristics of the opera with outstanding characteristics. The realism in literature has been demonstrated in this opera at a higher level. Although this opera has only one short scene, But step-by-step contradiction of the impact of confrontation makes it a short and classic masterpiece. This paper takes Mascani's opera "country Knight" as the research basis, taking Santuza's tragic characters as the object of study, through the collection and collation of relevant documents and images. Interpretation of Mascani's life and creation of opera works. At the same time, it expounds the substantial influence of the real literature on the real opera, so as to further interpret the basic characteristics of the real opera, the tragic portrayal of the characters under the real opera, and finally the successful portrayal of the characters for the singer. And provides different dimensions and theoretical achievements for researchers to study the tragic characteristics of truism music, drama and literature. Although the real opera has only existed on the stage for only 20 or 30 years, it is like a minority that can never be absent. The first chapter discusses the life of composer Mascani, the basic situation of opera creation, and the development of literature and opera under the trend of realism. The second chapter begins with the background and plot outline of the opera "country Knight". This is the panoramic description of the opera "country Knight"; the third part of the paper will become the focus of this paper, the tragic character of Santuza will be discussed in detail; in the last part, the author will rely on the characters. Taking the author's singing practice as reference, this paper provides the feasible treatment method and study means of important choir.
【学位授予单位】：吉林大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J617.2

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