云南吹吹腔戏演出考论
发布时间：2018-09-11 16:08
【摘要】：本文以流传在云南大理地区的白族传统戏曲样式——“吹吹腔戏”为研究对象，通过对白族村落的田野调查，结合史料，以云龙县大达村为主要个案深入研究，探讨了白族吹吹腔戏的演出历史与传承流变。将书面资料与民间艺人的口述材料相结合论证，，归纳出吹吹腔戏的艺术特色与民族特征。 本文正文包括三章，第一章以时间顺序概述了云南吹吹腔戏的生发与历史沿革，论证了吹吹腔戏系来源于弋阳腔变体的观点。第二章总体介绍了传统吹吹腔戏的艺术特征，结合白族传统文化与中原文化的碰撞探讨了吹吹腔戏的人文内涵。第三章就吹吹腔戏的行当体制、表演程式、剧本剧目、演出团体等方面的情况，从纵向对比的角度重点引入大达村吹吹腔戏个案展开由面及点的深度论述。 结语部分对吹吹腔戏的文化内涵、艺术魅力做了概括分析，对其给白族人民意识形态、思维习惯带来的影响做了总结阐释，归纳了这一传统的戏曲样式在民间的生命力与艺术价值，探讨了民间戏曲艺术未来的发展之路。
[Abstract]:This paper takes the traditional opera style of Bai nationality in Dali, Yunnan Province, as the object of study, through the field investigation of Bai nationality villages, combining with historical data, taking Dada Village of Yunlong County as the main case study. This paper discusses the history and inheritance of the Bai nationality blowing opera. Combining written materials with oral materials of folk artists, this paper concludes the artistic and national characteristics of blow-blowing opera. The text of this paper includes three chapters. The first chapter summarizes the hair and historical evolution of Yunnan blowing opera in chronological order, and demonstrates the viewpoint that the system of blowing cavity opera originates from the variation of Yiyang dialect. The second chapter introduces the artistic characteristics of the traditional blowing opera, and discusses the humanistic connotation of the traditional Bai nationality culture and the Central Plains culture. The third chapter focuses on the practice system, performance program, script, performance groups and so on, from the point of view of vertical comparison of the introduction of Dada Village blowing opera case from the depth of the face and point of discussion. The conclusion part summarizes the cultural connotation, artistic charm, and the influence on the ideology and thinking habits of the Bai people. This paper sums up the vitality and artistic value of this traditional style of opera in the folk, and probes into the way of the future development of the folk opera art.
【学位授予单位】：上海戏剧学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J825
本文编号：2237172
[Abstract]:This paper takes the traditional opera style of Bai nationality in Dali, Yunnan Province, as the object of study, through the field investigation of Bai nationality villages, combining with historical data, taking Dada Village of Yunlong County as the main case study. This paper discusses the history and inheritance of the Bai nationality blowing opera. Combining written materials with oral materials of folk artists, this paper concludes the artistic and national characteristics of blow-blowing opera. The text of this paper includes three chapters. The first chapter summarizes the hair and historical evolution of Yunnan blowing opera in chronological order, and demonstrates the viewpoint that the system of blowing cavity opera originates from the variation of Yiyang dialect. The second chapter introduces the artistic characteristics of the traditional blowing opera, and discusses the humanistic connotation of the traditional Bai nationality culture and the Central Plains culture. The third chapter focuses on the practice system, performance program, script, performance groups and so on, from the point of view of vertical comparison of the introduction of Dada Village blowing opera case from the depth of the face and point of discussion. The conclusion part summarizes the cultural connotation, artistic charm, and the influence on the ideology and thinking habits of the Bai people. This paper sums up the vitality and artistic value of this traditional style of opera in the folk, and probes into the way of the future development of the folk opera art.
【学位授予单位】：上海戏剧学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J825
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本文编号：2237172
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