论真实主义歌剧《丑角》的悲剧性特征及卡尼奥角色塑造
发布时间：2018-09-16 19:59
【摘要】：真实主义歌剧《丑角》是19世纪晚期意大利著名作曲家卢杰罗·莱昂卡瓦洛的代表作,在世界歌剧历史上占有重要的一席之地,是一部不朽的艺术珍品。 真实主义歌剧产生于十九世纪晚期的意大利,其创作理念来源于意大利真实主义文学。它的产生与特定的社会历史环境下的大众审美需求有着直接的关系。纵览真实主义歌剧作品,以悲剧为题材,并以悲剧为结局是其共同特征,这并非作者的刻意营造,而是当时的压迫、剥削、无力摆脱的社会历史环境和小人物在理想与现实中的挣扎共同造成的,是作者秉承“真实主义”创作理念在灰色历史背景下对现实生活的真实描摹,也形成了真实主义歌剧独有的、内在的悲剧性特征。 莱昂卡瓦洛是十九世纪晚期意大利真实主义歌剧的重要代表人物,他的《丑角》作为一部典型的真实主义歌剧,具有题材来源于真实案例、作者早年流浪艺人的生活阅历和当时社会背景的高度统一性,无论是从选材还是创作都体现了纯粹的真实主义歌剧理念,是研究真实主义歌剧的绝佳范本。 本论文以真实主义歌剧及其代表作《丑角》为研究对象,首先,从历史背景和理论来源两个角度论述了真实主义歌剧的产生,总结了其独有的悲剧性特征;并结合莱昂卡瓦洛生平,从题材选择、独特的戏剧构思两个方面论述其悲剧性特征的体现,以及悲剧人物卡尼奥的角色塑造。 全文共分三个部分: 第一部分,以真实主义歌剧产生的历史环境为背景,从真实主义文学的产生及基本理论入手,探寻真实主义歌剧的发展脉络,并总结其风格特征,同时对歌剧《丑角》做简要的介绍及评述,为后两章的论述做准备。 第二部分,研究歌剧《丑角》的创作及戏剧结构,分析其题材来源于真实生活、以“开场白”的形式奠定全剧悲剧基调、意大利即兴喜剧元素的使用,以及“戏中戏”结构强烈的戏剧冲突,阐明其悲剧性特征之所在。 第三部分,以前两章分析论证为基础,对卡尼奥进行透彻的人物分析,从人性的角度探寻其悲剧命运的成因,并以咏叹调《穿上戏装》为例,完成对卡尼奥的角色塑造。
[Abstract]:The real opera "clown" is the masterpiece of the famous Italian composer Lujero Le 贸 n Cavallo in the late 19th century. It occupies an important place in the history of the world opera and is an immortal art treasure. The realistic opera originated in Italy in the late 19 th century, and its creative idea came from Italian real literature. Its emergence is directly related to the aesthetic needs of the masses in the specific social and historical environment. It is a common feature of a realistic opera to take tragedy as its subject matter and to take tragedy as its ending. This is not the author's deliberate creation, but the oppression and exploitation of the time. The social and historical environment which can not be rid of and the struggle of the little people in the ideal and the reality together result from the author's true depiction of real life under the background of grey history, which is based on the idea of "truthfulness". It also forms the unique and inherent tragic characteristics of realistic opera. Leon Caballo is an important representative of the Italian realistic opera in the late 19th century. His clown, as a typical truism opera, has its subject matter from the real case. The author's early life experience of wandering artists and the high unity of the social background at that time, both from the selection and creation of pure authentic opera philosophy, is a perfect model for the study of real opera. This thesis takes the realistic opera and its masterpiece "clown" as the research object. Firstly, from the historical background and the theoretical source, it discusses the emergence of the realistic opera and summarizes its unique tragic characteristics. Based on the life of Leon Caballo, this paper discusses the embodiment of his tragic characteristics and the role of the tragic character Canio from two aspects: the choice of subject matter and the unique conception of drama. The thesis is divided into three parts: the first part, based on the historical environment of the production of truism opera, starting with the emergence and basic theory of truism literature, the author explores the development of truism opera. At the same time, it briefly introduces and comments on the opera "clown", and prepares for the discussion of the latter two chapters. The second part studies the creation and dramatic structure of opera "clown", analyzes its subject matter from real life, establishes the tragic tone of the whole play in the form of "preface", and uses the elements of Italian improvisational comedy. And the dramatic conflict with strong structure in Drama clarifies its tragic characteristics. The third part, on the basis of the analysis and argumentation of the previous two chapters, makes a thorough analysis of Canio's characters, explores the causes of his tragic fate from the angle of human nature, and takes Arias "putting on costumes" as an example to complete the role shaping of Canio.
【学位授予单位】：河南大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J832
本文编号：2244630
[Abstract]:The real opera "clown" is the masterpiece of the famous Italian composer Lujero Le 贸 n Cavallo in the late 19th century. It occupies an important place in the history of the world opera and is an immortal art treasure. The realistic opera originated in Italy in the late 19 th century, and its creative idea came from Italian real literature. Its emergence is directly related to the aesthetic needs of the masses in the specific social and historical environment. It is a common feature of a realistic opera to take tragedy as its subject matter and to take tragedy as its ending. This is not the author's deliberate creation, but the oppression and exploitation of the time. The social and historical environment which can not be rid of and the struggle of the little people in the ideal and the reality together result from the author's true depiction of real life under the background of grey history, which is based on the idea of "truthfulness". It also forms the unique and inherent tragic characteristics of realistic opera. Leon Caballo is an important representative of the Italian realistic opera in the late 19th century. His clown, as a typical truism opera, has its subject matter from the real case. The author's early life experience of wandering artists and the high unity of the social background at that time, both from the selection and creation of pure authentic opera philosophy, is a perfect model for the study of real opera. This thesis takes the realistic opera and its masterpiece "clown" as the research object. Firstly, from the historical background and the theoretical source, it discusses the emergence of the realistic opera and summarizes its unique tragic characteristics. Based on the life of Leon Caballo, this paper discusses the embodiment of his tragic characteristics and the role of the tragic character Canio from two aspects: the choice of subject matter and the unique conception of drama. The thesis is divided into three parts: the first part, based on the historical environment of the production of truism opera, starting with the emergence and basic theory of truism literature, the author explores the development of truism opera. At the same time, it briefly introduces and comments on the opera "clown", and prepares for the discussion of the latter two chapters. The second part studies the creation and dramatic structure of opera "clown", analyzes its subject matter from real life, establishes the tragic tone of the whole play in the form of "preface", and uses the elements of Italian improvisational comedy. And the dramatic conflict with strong structure in Drama clarifies its tragic characteristics. The third part, on the basis of the analysis and argumentation of the previous two chapters, makes a thorough analysis of Canio's characters, explores the causes of his tragic fate from the angle of human nature, and takes Arias "putting on costumes" as an example to complete the role shaping of Canio.
【学位授予单位】：河南大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J832
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