庐剧传统唱腔和新编唱腔的对比研究
发布时间：2018-09-18 12:09
【摘要】：庐剧作为安徽省四大剧种之一,虽经历了坎坷发展过程,但在安徽省内仍有着较大影响力,目前受众依然广大,有着非常好的群众基础。庐剧演唱风格朴实无华、唱词通俗易懂的风格贴近群众生活,深受百姓喜爱。庐剧唱腔在解放前的早期发展已经到了较为成熟的阶段,形成一定的规模和影响力,解放后受政策影响,一度进入发展黄金期,面临难得的发展机遇,但在改革开放后又受到各方面因素的影响和制约,庐剧的发展势头由盛转衰,庐剧音乐也主动或被动地发生了一定的转变。造成这种变化的因素有很多,要从多方面综合分析入手。而本文以庐剧音乐为切入点,将解放前的传统唱腔与经历变迁后的新编唱腔从形态特征角度加以分析对比,找到其各自的旋律特点和结构模式,探索二者在发展中出现了哪些变化及其原因,找到其中的规律。再结合新时期新形式的戏曲审美,探索庐剧要做的必要的改革。在对比分析之后,笔者认为庐剧在经历半个世纪的发展瓶颈期之后已经开始出现了转型的迹象,其中最重要的就是由传统曲牌体为主板式变化为辅的性质,向曲牌概念淡化、加强板式变化的特性转变。笔者认为其唱腔自身原因是窄声韵主导力的下降,出现了更多的中声韵,唱腔内部的旋律、板式变化更丰富,打破了传统唱腔主调曲牌的制约力。本文分为四章。第一章是在笔者实地采访内容基础上,对庐剧历史沿革所做的梳理;第二章介绍了庐剧主调与花腔的主要传统曲牌,包括其形态特点、结构特点等内容,以对传统唱腔有较全面的把握,为比较打下基础;第三章以同样的手法对新编唱腔的代表性选段进行分析,找出其特点,并随之将其与传统唱腔进行对比,找出其继承演变的因素和特点;第四章主要谈到庐剧改革的内外部因素,以及庐剧探索性的改革之路的相关内容。笔者试图通过这样的方式为庐剧今后的深化改革发展提供理论上的参照和启示。
[Abstract]:As one of the four major operas in Anhui Province, Lu opera has experienced a bumpy development process, but it still has a great influence in Anhui Province. At present, the audience is still vast and has a very good mass base. The singing style of Lu opera is simple and luxurious, and the style of easy-to-understand lyrics is close to the people's life, and is deeply loved by the people. Development has reached a relatively mature stage, forming a certain scale and influence. Affected by policies after liberation, it once entered a golden period of development and faced rare opportunities for development. However, after the reform and opening up, it was influenced and restricted by various factors. The development momentum of Luju opera changed from prosperity to decline, and Luju music also took place actively or passively. There are many factors that cause this change, and we should start with a comprehensive analysis from many aspects. This paper takes Luju music as a breakthrough point, compares the traditional aria before liberation with the new aria after undergoing changes from the perspective of morphological characteristics, finds their melodic characteristics and structural patterns, and explores the emergence of the two in development. After a comparative analysis, the author believes that after half a century of bottleneck period of development, Luju opera has begun to show signs of transformation, the most important of which is the traditional form of opera. The author thinks that the reason of its singing is the decrease of the dominant force of narrow vowel, the emergence of more medium vowel, the melody inside the aria, and the richer change of the board style, which breaks the restriction of the traditional main tune of the aria. The first chapter is divided into four chapters. On the basis of the author's on-the-spot interviews, the author sorts out the historical evolution of Luju opera; the second chapter introduces the main tunes and the main traditional tunes of Luju opera, including its morphological characteristics, structural characteristics and other content, in order to have a more comprehensive grasp of the traditional aria, to lay the foundation for comparison; the third chapter with the same approach to the representativeness of the new aria. The fourth chapter mainly talks about the internal and external factors of the Luju opera reform and the related contents of the exploratory reform road. The author tries to provide the further reform and development of Luju opera in this way. Theoretical reference and inspiration.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J825
[Abstract]:As one of the four major operas in Anhui Province, Lu opera has experienced a bumpy development process, but it still has a great influence in Anhui Province. At present, the audience is still vast and has a very good mass base. The singing style of Lu opera is simple and luxurious, and the style of easy-to-understand lyrics is close to the people's life, and is deeply loved by the people. Development has reached a relatively mature stage, forming a certain scale and influence. Affected by policies after liberation, it once entered a golden period of development and faced rare opportunities for development. However, after the reform and opening up, it was influenced and restricted by various factors. The development momentum of Luju opera changed from prosperity to decline, and Luju music also took place actively or passively. There are many factors that cause this change, and we should start with a comprehensive analysis from many aspects. This paper takes Luju music as a breakthrough point, compares the traditional aria before liberation with the new aria after undergoing changes from the perspective of morphological characteristics, finds their melodic characteristics and structural patterns, and explores the emergence of the two in development. After a comparative analysis, the author believes that after half a century of bottleneck period of development, Luju opera has begun to show signs of transformation, the most important of which is the traditional form of opera. The author thinks that the reason of its singing is the decrease of the dominant force of narrow vowel, the emergence of more medium vowel, the melody inside the aria, and the richer change of the board style, which breaks the restriction of the traditional main tune of the aria. The first chapter is divided into four chapters. On the basis of the author's on-the-spot interviews, the author sorts out the historical evolution of Luju opera; the second chapter introduces the main tunes and the main traditional tunes of Luju opera, including its morphological characteristics, structural characteristics and other content, in order to have a more comprehensive grasp of the traditional aria, to lay the foundation for comparison; the third chapter with the same approach to the representativeness of the new aria. The fourth chapter mainly talks about the internal and external factors of the Luju opera reform and the related contents of the exploratory reform road. The author tries to provide the further reform and development of Luju opera in this way. Theoretical reference and inspiration.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J825
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