庐剧传统唱腔和新编唱腔的对比研究
发布时间：2018-09-18 12:09
【摘要】：庐剧作为安徽省四大剧种之一,虽经历了坎坷发展过程,但在安徽省内仍有着较大影响力,目前受众依然广大,有着非常好的群众基础。庐剧演唱风格朴实无华、唱词通俗易懂的风格贴近群众生活,深受百姓喜爱。庐剧唱腔在解放前的早期发展已经到了较为成熟的阶段,形成一定的规模和影响力,解放后受政策影响,一度进入发展黄金期,面临难得的发展机遇,但在改革开放后又受到各方面因素的影响和制约,庐剧的发展势头由盛转衰,庐剧音乐也主动或被动地发生了一定的转变。造成这种变化的因素有很多,要从多方面综合分析入手。而本文以庐剧音乐为切入点,将解放前的传统唱腔与经历变迁后的新编唱腔从形态特征角度加以分析对比,找到其各自的旋律特点和结构模式,探索二者在发展中出现了哪些变化及其原因,找到其中的规律。再结合新时期新形式的戏曲审美,探索庐剧要做的必要的改革。在对比分析之后,笔者认为庐剧在经历半个世纪的发展瓶颈期之后已经开始出现了转型的迹象,其中最重要的就是由传统曲牌体为主板式变化为辅的性质,向曲牌概念淡化、加强板式变化的特性转变。笔者认为其唱腔自身原因是窄声韵主导力的下降,出现了更多的中声韵,唱腔内部的旋律、板式变化更丰富,打破了传统唱腔主调曲牌的制约力。本文分为四章。第一章是在笔者实地采访内容基础上,对庐剧历史沿革所做的梳理;第二章介绍了庐剧主调与花腔的主要传统曲牌,包括其形态特点、结构特点等内容,以对传统唱腔有较全面的把握,为比较打下基础;第三章以同样的手法对新编唱腔的代表性选段进行分析,找出其特点,并随之将其与传统唱腔进行对比,找出其继承演变的因素和特点;第四章主要谈到庐剧改革的内外部因素,以及庐剧探索性的改革之路的相关内容。笔者试图通过这样的方式为庐剧今后的深化改革发展提供理论上的参照和启示。
[Abstract]:As one of the four kinds of drama in Anhui Province, Lu Opera has experienced a rough development process, but it still has a great influence in Anhui Province. At present, the audience is still vast and has a very good mass base. Lu opera singing style simple, easy-to-understand style close to the masses of life, deeply loved by the people. The early development of Luzhu Opera before liberation reached a relatively mature stage, forming a certain scale and influence, influenced by policies after liberation, once entered the golden period of development, and faced a rare opportunity for development. However, after the reform and opening up, it was influenced and restricted by various factors. The development momentum of Lu opera changed from prosperity to decline, and the music of Lu opera also changed actively or passively. There are many factors that cause this kind of change, we should start with comprehensive analysis in many aspects. Based on the music of Lu Opera, this paper analyzes and compares the traditional singing before liberation with the new choir after changes from the angle of morphological characteristics, and finds out their respective melodic characteristics and structural patterns. Explore the two in the development of what changes and their causes, to find out the law. Combined with the new era and new forms of opera aesthetics, to explore the necessary reform of Lu Opera. After a comparative analysis, the author thinks that Lu Opera has begun to show signs of transition after experiencing the bottleneck period of development for half a century, the most important of which is to downplay the concept of "qu", which is supplemented by the traditional style of "qu". Strengthen the characteristic change of plate type change. The author thinks that the reason of the singing itself is the decline of the dominant force of the narrow rhyme, the appearance of more middle rhyme, the melody inside the singing, the richer changes of the board style, and the breaking of the restriction of the traditional dominant tune. This paper is divided into four chapters. The first chapter is on the basis of the author's on-the-spot interviews, the historical evolution of Luzhou Opera is combed, the second chapter introduces the main tune and the main traditional music, including its characteristics of form, structure, and so on. In order to have a more comprehensive grasp of the traditional singing, lay the foundation for comparison; the third chapter uses the same techniques to analyze the representative selection of the new choir, find out its characteristics, and then compare it with the traditional singing. The fourth chapter mainly discusses the internal and external factors of the reform of Lu Opera and the relevant contents of the exploratory reform road of Lu Opera. The author tries to provide theoretical reference and inspiration for the further reform and development of Lu Opera in this way.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J825
[Abstract]:As one of the four kinds of drama in Anhui Province, Lu Opera has experienced a rough development process, but it still has a great influence in Anhui Province. At present, the audience is still vast and has a very good mass base. Lu opera singing style simple, easy-to-understand style close to the masses of life, deeply loved by the people. The early development of Luzhu Opera before liberation reached a relatively mature stage, forming a certain scale and influence, influenced by policies after liberation, once entered the golden period of development, and faced a rare opportunity for development. However, after the reform and opening up, it was influenced and restricted by various factors. The development momentum of Lu opera changed from prosperity to decline, and the music of Lu opera also changed actively or passively. There are many factors that cause this kind of change, we should start with comprehensive analysis in many aspects. Based on the music of Lu Opera, this paper analyzes and compares the traditional singing before liberation with the new choir after changes from the angle of morphological characteristics, and finds out their respective melodic characteristics and structural patterns. Explore the two in the development of what changes and their causes, to find out the law. Combined with the new era and new forms of opera aesthetics, to explore the necessary reform of Lu Opera. After a comparative analysis, the author thinks that Lu Opera has begun to show signs of transition after experiencing the bottleneck period of development for half a century, the most important of which is to downplay the concept of "qu", which is supplemented by the traditional style of "qu". Strengthen the characteristic change of plate type change. The author thinks that the reason of the singing itself is the decline of the dominant force of the narrow rhyme, the appearance of more middle rhyme, the melody inside the singing, the richer changes of the board style, and the breaking of the restriction of the traditional dominant tune. This paper is divided into four chapters. The first chapter is on the basis of the author's on-the-spot interviews, the historical evolution of Luzhou Opera is combed, the second chapter introduces the main tune and the main traditional music, including its characteristics of form, structure, and so on. In order to have a more comprehensive grasp of the traditional singing, lay the foundation for comparison; the third chapter uses the same techniques to analyze the representative selection of the new choir, find out its characteristics, and then compare it with the traditional singing. The fourth chapter mainly discusses the internal and external factors of the reform of Lu Opera and the relevant contents of the exploratory reform road of Lu Opera. The author tries to provide theoretical reference and inspiration for the further reform and development of Lu Opera in this way.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J825
【相似文献】
相关期刊论文 前10条
1 覃庆辉;;谈文学二元对比研究型课题的选题策略[J];科教文汇(中旬刊);2007年11期
2 曾奇;中英姓名的文化差异[J];湖北民族学院学报(哲学社会科学版);2005年03期
3 李霞;陆海峡;;英汉语对比综述[J];经济视角(中旬);2011年01期
4 段忠玉;;中西方“茶”语言对比研究[J];科技信息;2010年34期
5 李肖蕊;卜朝晖;;中日古代避讳试析[J];许昌学院学报;2012年06期
6 胡勇红;汉英说明类语篇话题结构的对比研究[J];同济大学学报(社会科学版);2004年06期
7 马刚;胡安琪;;试析对比研究中的陷阱——论证循环[J];科学时代;2007年01期
8 李翠娟;;中美网络文学之对比研究[J];作家;2012年20期
9 裴利民;英汉拟人修辞格对比研究[J];常德师范学院学报(社会科学版);2003年01期
10 贾z，
本文编号：2247862
本文链接：https://www.wllwen.com/wenyilunwen/xijuwudaolunwen/2247862.html
