蒲剧做功中的特技表演研究

发布时间：2018-10-05 18:34

【摘要】：蒲剧,又称蒲州梆子,有着四百余年的悠久历史,是梆子腔剧种的鼻祖之一。蒲剧表演程式丰富,具有火爆奔放却不乏含蓄细腻的艺术风格,注重做功,最突出的特点是惯用特技表现剧情、刻画人物。蒲州梆子老艺人们为丰富人物形象、渲染舞台气氛,创造、吸收、借鉴了各式特技,多达三十余种,极大地满足了当时、当地群众的审美需求。然而近年来,由于社会的发展,生活节奏加快,娱乐节目日趋多样化,电视、网络等媒体占据人们的视野,人们的审美观发生了很大变化,戏曲不再是人们的主流消遣方式,蒲剧也难逃此运而日渐衰败。虽然当地蒲剧艺术工作者为保护蒲剧做了很多的努力,排演了一些现代剧目,但是蒲剧人曾经引以为傲的表演特技却淡出了观众的视野,其中一些特技已经面临失传的困境。针对这一现象,本研究以蒲剧做功表演的特技作为研究对象,采用田野调查法,对临汾蒲剧院团的演员、老一辈表演艺术家,进行了深入细致的访谈,收集到大量的文字资料和影像资料,并且通过搜集、整理和鉴别大量相关文献资料,对蒲剧表演特技有了更为系统、全面的认识与见解。本文除引言和结语之外,共分为三个部分。第一部分：介绍蒲剧的发展脉络和表演艺术特色；第二部分通过大量文字详细描述了27种蒲剧表演特技的技法,同时采用大量影像资料展示了蒲剧表演特技的风采；第三部分首先论述了蒲剧表演特技在人物形象塑造中的具体作用,即细致入微的刻画人物性格、是表现人物内心活动的外在手段、可以渲染火爆热烈的舞台气氛等等；其次结合美学范畴中的形神论探讨了蒲剧做功表演特技的美学价值；再次分析了蒲剧做工表演特技为什么会具有名声效应；最后谈到蒲剧特技在承传中遇到困境,并对蒲剧表演特技今后的发展与创新提出几点建议。
[Abstract]:Puju Bangzi, also known as Puzhou Bangzi, has a long history of more than 400 years and is one of the ancestors of Bangzi Opera. Po drama shows rich procedures, has a lively but no lack of subtle fine artistic style, pay attention to work, the most prominent feature is the use of special effects to express the plot, portray characters. Pu Zhou Bangzi old artists in order to enrich the character image, render stage atmosphere, create, absorb, learn from all kinds of special effects, as many as 30 kinds, greatly meet the aesthetic needs of the local people at that time. However, in recent years, due to the development of society, the accelerated pace of life, the increasingly diversified entertainment programs, television, network and other media occupied people's vision, people's aesthetic standards have changed greatly, opera is no longer the mainstream pastime. Po drama is also hard to escape the fate and decline day by day. Although local Pu opera artists have made a lot of efforts to protect Puju, they have staged some modern plays, but the stunt once prided by Pu opera has faded out of the audience, some of which have already faced the plight of lost lives. In view of this phenomenon, this study takes the special effects of the performance of Pu Opera as the research object, using the field investigation method to conduct in-depth and meticulous interviews with the actors and the older performing artists of the Linfen Pandelion Theater. Through collecting, collating and discriminating a large number of relevant documents, we have a more systematic and comprehensive understanding of the special effects of Puju. In addition to the introduction and conclusion, this article is divided into three parts. The first part introduces the development of Puju and the characteristics of performing arts. The second part describes the techniques of 27 kinds of special effects in detail through a large number of words, and uses a large number of video materials to show the style of performing stunt of Puju. In the third part, the author first discusses the concrete function of performing special effects in the portrayal of the characters, that is, the detailed portrayal of the characters' character, the external means of expressing the inner activities of the characters, and the lively atmosphere of the stage, and so on. Secondly, it discusses the aesthetic value of performing stunts in Puju with the theory of form and deity in aesthetic category; again, it analyzes why the stunts of Puju have the effect of fame; finally, it talks about the difficulties encountered in the inheritance of the stunts of Puju. And put forward a few suggestions to the development and innovation of the special effects of Puju in the future.
【学位授予单位】：山西大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J825

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