晚清京剧旗装戏与旦行花衫的兴起
发布时间：2018-10-15 18:25
【摘要】：以《雁门关》《探母回令》《梅玉配》《儿女英雄传》等为代表的晚清京剧旗装戏,是京剧旦行艺术重要一支。旗装戏因独特的造型装扮,成为旦行表演革新的先锋,打破了行当家门界限,将原本技艺分离的青衣、花旦、刀马旦融合演化为全新的"花衫",极大提升和改变了旦行艺术的面貌,使得京剧艺术重心由生行转移至旦行,开启了京剧旦角时代和京剧艺术全盛时代的到来。
[Abstract]:The flag costume of Beijing Opera in the late Qing Dynasty, represented by "Yanmen Guan", "the return of the Mother" and "Mei Yu's match", is an important part of the art of Beijing Opera. Because of its unique style and costume, the flag costume drama has become a pioneer in the innovation of danhang performance. It has broken the boundaries of the family and separated the original skills of Tsing Yi and Hua Dan. The fusion of Dao and Ma Dan evolved into a new "flower shirt", which greatly promoted and changed the appearance of Dan Xing art, and made the center of art of Beijing Opera shift from birth line to Dan line, which opened the arrival of the era of Peking Opera's Dan Jiao era and the flourishing period of Beijing Opera art.
【作者单位】： 北京大学中文系;
【基金】：北京市优秀博士学位论文指导教师人文社科项目“晚清北京的文化空间”(项目编号:YB20111000102)
【分类号】：J821.5
[Abstract]:The flag costume of Beijing Opera in the late Qing Dynasty, represented by "Yanmen Guan", "the return of the Mother" and "Mei Yu's match", is an important part of the art of Beijing Opera. Because of its unique style and costume, the flag costume drama has become a pioneer in the innovation of danhang performance. It has broken the boundaries of the family and separated the original skills of Tsing Yi and Hua Dan. The fusion of Dao and Ma Dan evolved into a new "flower shirt", which greatly promoted and changed the appearance of Dan Xing art, and made the center of art of Beijing Opera shift from birth line to Dan line, which opened the arrival of the era of Peking Opera's Dan Jiao era and the flourishing period of Beijing Opera art.
【作者单位】： 北京大学中文系;
【基金】：北京市优秀博士学位论文指导教师人文社科项目“晚清北京的文化空间”(项目编号:YB20111000102)
【分类号】：J821.5
【共引文献】
相关期刊论文 前7条
1 赵山林;戏曲活动与戏曲民俗的生动记录——皖籍作家竹枝词研究之一[J];池州师专学报;2003年04期
2 罗检秋;;京剧坤角如何走红——社会文化史视野中的民初京剧[J];河北学刊;2011年02期
3 曾令霞;;戏台上与文学中的另类——“男旦”史钩沉[J];四川戏剧;2012年05期
4 李莉薇;侯丽丽;;芥川龙之介的中国戏曲观[J];日语学习与研究;2015年05期
5 陈世雄;;男芭蕾、男旦、“女形”的性别与美学问题[J];文艺研究;2010年02期
6 姜，
本文编号：2273439
本文链接：https://www.wllwen.com/wenyilunwen/xijuwudaolunwen/2273439.html
