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论演员的性格化创造

发布时间:2018-10-16 11:15
【摘要】:戏剧表演艺术是表演现人的生活,体现人的生命的一种综合艺术形式。用人来表现人,从而传达出具有普遍意义的社会问题。因此在舞台创造中演员的表演是至关重要的。演员要利用自己来作为创作材料,通过形体、语言、情感的表达等手段,展现出剧中的人物性格,体现出人物的灵魂。这一切的表达都是基于演员的性格化的创造基础上的,所以演员在表演中做到人物体现的性格化是非常重要的。如何运用性格化的方法,创造出性格化的人物形象,这一理论的研究对演员表演创造的指导作用,理论价值,深刻意义都有待于我们在实践中不断的理解、认识、开掘。 性格化创作是一种表演方法。在戏剧的各个流派的发展与理论中都对这一方法的理论有所涉及。可见在舞台上对人物形象的性格化创造是戏剧表演艺术的生命。如果没有了人物的性格创造,演员表现的不是活生生的人,而是行尸走肉一般的躯壳,戏剧表演也将失去其存在的意义。本文将从对“表现派”与“体验派”的表演理论分析入手,根据对两个流派的理解,挖掘出适合自己的表演创造方法。 首先在文章的第一章从对演员进行性格化创造的重要性谈起,在当前很多演员的表演满足于一般化,他们的创造力和魅力不足,经常是自己表演自己。使得创造出的角色没有鲜明的性格特征、平淡、不够真实、缺乏表现力,难以在观众心理扎根。他们最根本原因是对于性格化的认识不足,没有意识到好的、性格化的表演对于整个演出的重要意义。然后从重要性谈出我对于性格化表演的一点认识。第二章从“表现派”与“体验派”的表演理论中,找出它们各自关于性格化创造的方法,并根据自己的理解对两个流派各自的方法进行的分析。最后一章是通过这几年在表演教学中的经验及对各个流派的研究后的一个总结,阐述了我自己对于性格化创造方法的一些认识与运用。从中借鉴了“表现派”的“构思”人物形象、“体验派”的情感体验方法、戏曲表演中一些适用于话剧表演的内容还有焦菊隐大师提出的重要理论“心象”学说中的方法。最终目的是找到性格化创造的最好的途径,为塑造鲜明的人物形象,展现人物灵魂的性格化奠定基础。
[Abstract]:Theatrical performing art is a comprehensive art form of performing people's life and embodying human life. Use people to represent people and thus convey social problems of universal significance. Therefore, the performance of actors and actresses in stage creation is crucial. Actors and actresses should use themselves as creative materials to show the character and soul of the characters by means of body, language and emotion. All these expressions are based on the creation of the actor's personality, so it is very important for the actor to embody the character in the performance. How to use the method of personality to create the character image, this theory research to the actor performance creation instruction function, the theory value, the profound significance all waits for us in the practice unceasingly understanding, the excavation. Character creation is a kind of performance method. The theory of this method is involved in the development and theory of various schools of drama. It can be seen that the creation of characters on the stage is the life of theatrical performing art. Without the character creation, the actors do not represent the human beings, but the dead bodies, and the theatrical performances lose their meaning. This article will start from the performance theory analysis of "performance school" and "experience school", according to the understanding of the two schools, excavate the suitable acting creation method. In the first chapter of the article, we begin with the importance of creating the character of the actors. At present, many actors are satisfied with the generalization of their performances, their creativity and charm are not enough, and they often perform themselves. So that the created characters have no distinct character characteristics, dull, not true, lack of expressiveness, difficult to take root in the psychology of the audience. The most fundamental reason is that they are not aware of the importance of good, characterizing performance to the whole performance. Then from the importance of talking about my personality performance a little understanding. In the second chapter, from the performance theory of "expressionism" and "experiential school", the author finds out their own methods of personality creation, and analyzes the methods of the two schools according to their own understanding. The last chapter is a summary of the experience in performance teaching and the study of various schools in the past few years, expounding my own understanding and application of the method of personality creation. It draws lessons from the "conception" character image of "expressive school", the emotional experience method of "experiential school", the content of drama performance and the method of "mind vision" theory put forward by Master Jiao Juyin. The ultimate aim is to find the best way to create the character and lay the foundation for the creation of the distinct character and the display of the character soul.
【学位授予单位】:哈尔滨师范大学
【学位级别】:硕士
【学位授予年份】:2011
【分类号】:J812

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