唱出历史—濒危艺术瑰宝河洛大鼓唱腔研究
发布时间：2018-10-18 13:26
【摘要】： 本文通过对河洛大鼓的唱腔进行深入浅出的探讨研究,以及对河洛大鼓现状分析和发展前景的预测,旨在使全国广大文艺工作者和人民群众对河洛大鼓这门古老的曲艺艺术有所了解,吸引更多的文艺工作者从事河洛大鼓研究工作,引导更多的人们热爱和关注河洛大鼓,为改变河洛大鼓目前的濒危状况,进一步弘扬民族传统文化提供微薄的帮助。目前针对于河洛大鼓的研究也只限于演出形式和传承渊源这两大方面,笔者就河洛大鼓的渊源进行了简要的探讨,并发表了个人的浅显看法,本文中笔者着重对河洛大鼓的所有唱腔板式一一进行了整理、说明,大部分唱腔也都附了示范演唱、演奏谱例,希望能够填补对河洛大鼓唱腔整理举例这一方面的空白,文章最后还对河洛大鼓的未来进行了一些大胆的猜测并对河洛大鼓的发展提供了几点建议,抛砖引玉,希望能够引起更多的文艺工作者对这门濒危艺术的关注。
[Abstract]:In this paper, the author makes a deep discussion and study on the singing of the Holo Drum, and forecasts the present situation and the development prospects of the Holo Dagu. The aim is to make the vast number of literary and art workers and the masses of the people throughout the country understand the ancient quyi art of Heluo Dagu, attract more writers and artists to engage in the research work of the Holo Dagu, and guide more people to love and pay attention to the Horo Dagu. In order to change the current endangered situation of Heluo Dagu, and further carry forward the traditional culture of the nation to provide meager help. At present, in view of the fact that the research on the Holo Dagu is limited to the form of performance and the origin of the inheritance, the author makes a brief discussion on the origin of the Horo Dagu, and puts forward his personal simple views. In this paper, the author puts emphasis on arranging all the choir patterns of the Holo Dagu, and explains that most of the vocals are accompanied by demonstration singing and playing examples, in the hope of filling up the gaps in arranging and giving examples of this aspect. At the end of the article, some bold guesses are made on the future of Holo Dagu and some suggestions are provided for the development of Holo Dagu. It is hoped that more writers and artists will pay more attention to this endangered art.
【学位授予单位】：江西师范大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J826
本文编号：2279261
[Abstract]:In this paper, the author makes a deep discussion and study on the singing of the Holo Drum, and forecasts the present situation and the development prospects of the Holo Dagu. The aim is to make the vast number of literary and art workers and the masses of the people throughout the country understand the ancient quyi art of Heluo Dagu, attract more writers and artists to engage in the research work of the Holo Dagu, and guide more people to love and pay attention to the Horo Dagu. In order to change the current endangered situation of Heluo Dagu, and further carry forward the traditional culture of the nation to provide meager help. At present, in view of the fact that the research on the Holo Dagu is limited to the form of performance and the origin of the inheritance, the author makes a brief discussion on the origin of the Horo Dagu, and puts forward his personal simple views. In this paper, the author puts emphasis on arranging all the choir patterns of the Holo Dagu, and explains that most of the vocals are accompanied by demonstration singing and playing examples, in the hope of filling up the gaps in arranging and giving examples of this aspect. At the end of the article, some bold guesses are made on the future of Holo Dagu and some suggestions are provided for the development of Holo Dagu. It is hoped that more writers and artists will pay more attention to this endangered art.
【学位授予单位】：江西师范大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J826
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