河北高碑店“上四调”的产生和传播文化分析

发布时间：2018-10-20 14:23

【摘要】：高碑店"上四调"属于我国传统社会曾经活跃于乡间的无数中小型剧种之一,其发展历史及目前所面临的衰微处境颇富代表性。就其产生的历史背景和渊源而言,"上四调"属于清中叶勃兴的花部乱弹的余绪;应乡村祭神之需,其演出剧目主要以神怪戏为主;其传播模式属于一种特定历史阶段的草根戏剧的传播,具有很强的流民乞丐等下层民众追随农业繁盛区迁徙而传播的性质。
[Abstract]:Gaobeidian's "Shang4 tune" belongs to one of the innumerable medium and small-sized plays once active in the countryside in the traditional society of our country, its development history and the declining situation that it faces at present is quite representative. As far as its historical background and origin are concerned, the "four tunes" belongs to the wild thread of the flourishing flower parts in the middle of Qing Dynasty, and its repertoire is mainly composed of genie operas, according to the need of offering sacrifices to the gods in the countryside. Its communication mode belongs to a special historical stage of the spread of grassroots drama, with a strong vagabond beggars and other underclass people to follow the migration of agricultural prosperity and spread the nature of the region.
【作者单位】：中国戏曲学院;
【分类号】：J825

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