格鲁克的改革歌剧研究

发布时间：2018-11-11 13:21

【摘要】： 本论文以18世纪歌剧作曲家格鲁克的六部改革歌剧——《奥菲欧与尤丽狄西》、《阿尔切斯特》、《帕里斯与海伦》、《伊菲基尼在奥利德》、《阿尔米德》和《伊菲基尼在陶里德》为研究对象,通过对相关的历史—文化语境和音乐形态的研究,着重讨论了18世纪的戏剧美学观念在历史语境中的嬗变以及在这些观念影响下格鲁克的六部改革歌剧所采用的音乐技术手段和戏剧内涵,论证了格鲁克的改革歌剧所具有的里程碑意义。全文共分为四章,研究内容涉及格鲁克歌剧改革的历史语境、音乐技术手段以及戏剧内涵的分析。第一章,格鲁克的生平及歌剧创作概况。简要介绍格鲁克的生平以及他在意大利正歌剧、法国喜歌剧、芭蕾和改革歌剧等领域的创作情况。第二章,歌剧改革的萌芽。主要分析了意大利的人文主义者和法国百科全书派对音乐与歌词、音乐与情感以及场景设置等方面所持有的戏剧观念,同时考察了在表演和创作等实践领域出现的真实、自然、简洁和更富戏剧性的新趋势。第三章,格鲁克改革歌剧中的音乐研究。这一章主要以音乐形式为线索,着重分析作曲家前五部改革歌剧中对序曲、咏叹调、宣叙调、合唱和芭蕾所做的技术创新以及这些音乐形式在刻画人物性格、表现人物情感和烘托戏剧气氛时所具有的表现力和戏剧内涵。第四章,戏剧家格鲁克——以《伊菲基在陶里德》为例。通过全面分析格鲁克这部最优秀和最成熟的歌剧来观察作曲家如何利用音乐有效地塑造人物形象、建构戏剧张力和推动戏剧发展。
[Abstract]:This thesis is based on six revolutionary operas by 18th-century opera composer Gruke-"Ofio and Elydesy", "Alchester", "Paris and Helen", "Ifiguini in Ollie", "Almead" and "Ifiguini" in Taurid, through the study of the relevant historical and cultural context and music form, This paper focuses on the evolution of dramatic aesthetic concepts in the historical context of the 18th century and the musical techniques and dramatic connotations adopted by Gruke's six reform operas under the influence of these concepts. It demonstrates the milestone significance of Gruke's reform opera. The thesis is divided into four chapters. The research involves the historical context of the Gruk opera reform, the musical techniques and the analysis of the drama connotation. The first chapter, Gruke's life and opera creation overview. This paper briefly introduces Gruke's life and his creation in Italian opera, French opera, ballet and revolutionary opera. The second chapter, the germination of opera reform. This paper mainly analyzes the dramatic concepts held by the Italian humanists and the French encyclopedia party music and lyrics, music and emotion, and scene setting, and examines the reality and nature that have emerged in the practical fields such as performance and creation. New trends in simplicity and more dramatic. The third chapter, the music research in Gruk reform opera. This chapter mainly takes the musical form as the clue, emphatically analyzes the composer's first five reforming operas to the prelude, the aria, the narration, the chorus and the ballet, and these musical forms portray the character of the characters. The expressive power and dramatic connotation of expressing character's emotion and setting off drama atmosphere. The fourth chapter, the dramatist Gruk, takes the example of Ifiki in Taurid. Through the comprehensive analysis of the most excellent and mature opera, Gruke observes how composers use music to effectively portray characters, construct drama tension and promote drama development.
【学位授予单位】：上海音乐学院
【学位级别】：博士
【学位授予年份】：2010
【分类号】：J832

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