广西横县校椅镇壮歌剧的调查与研究
发布时间：2019-01-01 17:27
【摘要】： 广西横县校椅镇壮歌剧类属少数民族戏曲剧种,是指以当地壮族五言山歌形式编写唱词、融合刘三姐和宾阳上乡调等多个地方优秀曲调来进行谱曲,配以锣、鼓、二胡、木鱼等主奏乐器,使用当地壮语说唱,唱白结合的一种地方戏曲形式。现主要流传于广西横县西北区、贵港覃塘区、宾阳东南区的主要壮族村镇。 壮族地区的自然生态基础及其形成的“那”文化、民众对家乡及本地区的文化艺术的感情、壮族聚居的村落文化生态,为新剧种的发展创造了良好的条件。民间艺术家凭着对对壮族悠久历史文化的酷爱,适时把握了民众的审美需要,在吸取汉族戏剧特别是粤剧的艺术养分的基础上促成了壮歌剧的产生。同时,当地丰富多彩的民间节日习俗活动为壮歌剧文化艺术的产生和发展提供了极大的空间。 横县校椅镇壮歌剧由当地的民间艺人自编自演,剧目内容来源于当地民族民间现实生活,反映了壮族文化的地方特色及当地壮族人民的审美价值和文化观念,有贴近群众、贴近生活、贴近现实的特点,受到了群众的普遍欢迎。成为当地民众精神生活和文化娱乐的重要方式,是当地民众生活文化的组成部分。 作为一种年轻的剧种形式,该剧种契合了当地的文化生态环境,在演唱剧目、剧团性质、演员构成、表演形式、演出习俗等方面与壮族戏剧的其他剧种形式相比,表现出了较强的区域性。切时如需的剧目内容、符合民众审美需求的表演形式以及展现地方文化的艺术形式,使得壮歌剧在民众生活中具有审美愉悦、道德规范、仪式宣告、政治宣传等多重社会功能。 少数民族戏剧的传承主体主要包括剧团、编剧、演员和观众。横县校椅镇临江壮歌剧是横县及周边县市壮歌剧的主流代表,以之为个案分析广西横县校椅镇壮歌剧的传承主体,可以为该民族艺术在新时期的传承和发展提供有益的思路。民间艺人的创造与参与、演出状况的优化、政府力量的维系、大众传媒的介入是维系壮歌剧生存与发展的外在因素。 总之,探讨横县校椅镇壮歌剧的产生和发展,分析作为民间艺术的横县校椅镇壮歌剧的独特文化内涵以及横县校椅镇壮歌剧在传承发展中的各种制衡力量可以为壮剧或其它民间剧种的传承发展提供诸多启发。
[Abstract]:The Zhuang opera category in Hengxian, Guangxi, is a kind of minority opera. It refers to the composition of songs in the form of local Zhuang's five-character folk songs, integrating Liu Sanjie and Binyang Shangxiang tune to compose songs, accompanied by gongs, drums, erhu, etc. Muyu and other main instruments, using local Zhuang rap, singing and white combination of a local opera form. Now mainly spread in the northwest of Hengxian, Qantang District of Guigang, the main Zhuang villages and towns in the southeast of Binyang. The natural ecological foundation of Zhuang nationality region and its "that" culture, the people's feeling for the culture and art in their hometown and the local area, and the village cultural ecology of Zhuang nationality have created good conditions for the development of new drama. Folk artists, with their love for the Zhuang nationality's long history and culture, grasped the aesthetic needs of the people at the right time, and promoted the production of Zhuang opera on the basis of absorbing the artistic nutrients of Han dramas, especially Cantonese opera. At the same time, the local rich and colorful folk festival custom activity provided the enormous space for the Zhuang opera culture and the development. The opera, compiled by local folk artists, is composed by local folk artists in Hengxian County. The content of the opera is derived from the local folk life and reflects the local characteristics of Zhuang culture, the aesthetic value and cultural concept of the local Zhuang people, and is close to the masses. Close to life, close to the characteristics of reality, has been popular with the masses. Become an important way of spiritual life and cultural entertainment of local people, is the component of local people's life culture. As a young form of drama, the play conforms to the local cultural and ecological environment and compares with other forms of drama of Zhuang nationality in the aspects of singing repertoire, the nature of the troupe, the composition of actors, the form of performance, the performing custom, and so on. Showing a strong regional. The content of the opera, the performing form that meets the people's aesthetic demand and the artistic form of showing the local culture make the Zhuang opera have many social functions in the people's life, such as aesthetic pleasure, moral standard, ritual proclamation, political propaganda and so on. The main body of inheritance of minority drama mainly includes troupe, screenwriter, actor and audience. Lijiang Zhuang opera is the mainstream representative of Zhuang opera in Hengxian county and surrounding counties. Taking it as a case study, the main body of inheritance of Zhuang opera in Hengxian school seat town in Guangxi can provide useful ideas for the inheritance and development of this national art in the new period. The creation and participation of folk artists, the optimization of performance conditions, the maintenance of government power and the intervention of mass media are the external factors to maintain the survival and development of Zhuang opera. In a word, it discusses the emergence and development of Zhuang opera in Hengxian school chair town. This paper analyzes the unique cultural connotation of Zhuang opera in Hengxian school seat town as folk art, and the various checks and balances in the inheritance and development of Zhuang opera in Hengxian school seat town can provide many inspirations for the inheritance and development of Zhuang opera or other folk operas.
【学位授予单位】：广西师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J825
本文编号：2397884
[Abstract]:The Zhuang opera category in Hengxian, Guangxi, is a kind of minority opera. It refers to the composition of songs in the form of local Zhuang's five-character folk songs, integrating Liu Sanjie and Binyang Shangxiang tune to compose songs, accompanied by gongs, drums, erhu, etc. Muyu and other main instruments, using local Zhuang rap, singing and white combination of a local opera form. Now mainly spread in the northwest of Hengxian, Qantang District of Guigang, the main Zhuang villages and towns in the southeast of Binyang. The natural ecological foundation of Zhuang nationality region and its "that" culture, the people's feeling for the culture and art in their hometown and the local area, and the village cultural ecology of Zhuang nationality have created good conditions for the development of new drama. Folk artists, with their love for the Zhuang nationality's long history and culture, grasped the aesthetic needs of the people at the right time, and promoted the production of Zhuang opera on the basis of absorbing the artistic nutrients of Han dramas, especially Cantonese opera. At the same time, the local rich and colorful folk festival custom activity provided the enormous space for the Zhuang opera culture and the development. The opera, compiled by local folk artists, is composed by local folk artists in Hengxian County. The content of the opera is derived from the local folk life and reflects the local characteristics of Zhuang culture, the aesthetic value and cultural concept of the local Zhuang people, and is close to the masses. Close to life, close to the characteristics of reality, has been popular with the masses. Become an important way of spiritual life and cultural entertainment of local people, is the component of local people's life culture. As a young form of drama, the play conforms to the local cultural and ecological environment and compares with other forms of drama of Zhuang nationality in the aspects of singing repertoire, the nature of the troupe, the composition of actors, the form of performance, the performing custom, and so on. Showing a strong regional. The content of the opera, the performing form that meets the people's aesthetic demand and the artistic form of showing the local culture make the Zhuang opera have many social functions in the people's life, such as aesthetic pleasure, moral standard, ritual proclamation, political propaganda and so on. The main body of inheritance of minority drama mainly includes troupe, screenwriter, actor and audience. Lijiang Zhuang opera is the mainstream representative of Zhuang opera in Hengxian county and surrounding counties. Taking it as a case study, the main body of inheritance of Zhuang opera in Hengxian school seat town in Guangxi can provide useful ideas for the inheritance and development of this national art in the new period. The creation and participation of folk artists, the optimization of performance conditions, the maintenance of government power and the intervention of mass media are the external factors to maintain the survival and development of Zhuang opera. In a word, it discusses the emergence and development of Zhuang opera in Hengxian school chair town. This paper analyzes the unique cultural connotation of Zhuang opera in Hengxian school seat town as folk art, and the various checks and balances in the inheritance and development of Zhuang opera in Hengxian school seat town can provide many inspirations for the inheritance and development of Zhuang opera or other folk operas.
【学位授予单位】：广西师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J825
【引证文献】
相关硕士学位论文 前1条
1 黄伟晶;邕剧的传承保护与发展研究[D];广西师范学院;2012年
，本文编号：2397884
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