由傀儡艺术谈话剧多元化导演语汇的创造
[Abstract]:Puppet, as China's intangible cultural heritage, it has been explored to gradually uncover the mystery. Rich cultural heritage, special artistic functions, rich symbolic meaning, endowed with intelligent life. Passing on history and stepping into the present age, today's puppet art has not merely performed puppets and shadow shadows, but a multi-cultural fusion: from puppets to puppets, and then from puppets to dramas. And become a new role on the stage of drama. The drama director's interpretation of puppet art makes it fully show dramatic "visual vocabulary" in the original social function, and its unique performing way is intriguing, and it is also the expression of director's conception and emotion. The pressure of existence, the bondage of life and the unjustified reason make people have the characteristic of "puppet" being manipulated to some extent, so how to present this kind of thinking in life on stage becomes the compulsory course of drama director. Looking at many European and American countries and some other Asian countries such as Japan, the puppet performance elements have been more and more integrated into the stage of drama, and their thoughts and life are analyzed from a new and unique angle. So on the stage of Chinese drama, whether the director can be accepted by more people by absorbing the essence of puppet art, using it to show the director's idea and create the stage vocabulary? Does it resonate with the audience? How will the creation of diversified vocabulary of modern drama directors be carried out? Little puppets, big world, people give it life, and through it to understand life.
【学位授予单位】:上海戏剧学院
【学位级别】:硕士
【学位授予年份】:2009
【分类号】:J827
【共引文献】
相关期刊论文 前4条
1 唐晓白;二十世纪西方戏剧对中国戏曲的选择策略[J];戏剧艺术;1999年04期
2 刘庆;再论宋春舫[J];戏剧艺术;2001年04期
3 胡一飞;试论写实主义、象征主义和表现主义风格戏剧演出中的舞台调度导演语汇的艺术特征——兼谈舞台调度的假定性本质[J];戏剧;2000年02期
4 刘彦君;20世纪戏剧变革的东方灵感[J];戏剧;2003年01期
相关博士学位论文 前3条
1 李时学;20世纪西方左翼戏剧研究[D];厦门大学;2006年
2 李涛;大众文化语境下的上海职业话剧(1937—1945)[D];上海戏剧学院;2006年
3 张小平;论新时期以来的中国先锋戏剧[D];复旦大学;2007年
相关硕士学位论文 前10条
1 姚冰;巴厘戏剧与西方现代派戏剧[D];厦门大学;2002年
2 郭玉琼;中国现代话剧艺术的诗性精神研究[D];福建师范大学;2004年
3 耿余;试论《海鸥》对斯坦尼斯拉夫斯基表演美学体系形成的影响[D];武汉大学;2004年
4 张淼;张艺谋影片中的象征主义因素[D];东北师范大学;2005年
5 陈晓萍;泉州木偶头造型艺术考述[D];中国艺术研究院;2006年
6 夏泽安;从四个维度看尤金·奥尼尔戏剧的审美价值[D];扬州大学;2006年
7 沈浮;杭州湾沿岸剧场使用后评析[D];清华大学;2005年
8 方莹;遂昌木偶戏的调查与研究[D];中国艺术研究院;2007年
9 张妤洁;重庆抗战戏剧研究[D];北京语言大学;2007年
10 罗金满;泉州梨园戏与民俗文化研究[D];福建师范大学;2007年
,本文编号:2402877
本文链接:https://www.wllwen.com/wenyilunwen/xijuwudaolunwen/2402877.html