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京剧唱腔音乐的逻辑重音

发布时间:2019-03-07 21:36
【摘要】:通过对京剧唱腔音乐的分析研究发现,相对高点的音为逻辑重音。逻辑重音规律不受汉语四声音调和辙韵的限制与影响。根据旋律中,音程关系进行——正音的音程跳进、级进、同音反复、装饰音等等的不同,节奏型——切分音、符点音符、相等时值音符律动等变化而变化。上行渐强下行渐弱的音乐表现规律,在京剧唱腔演唱过程中显示的最为突出并成为一种自然的传统规律。研究京剧音乐的"逻辑重音"规律,能够帮助京剧专业与非京剧专业人士从新的角度认识京剧音乐并更快、更好地了解和掌握京剧音乐语言规律,帮助非京剧专业人士解除对京剧音乐语言的神秘感。
[Abstract]:Through the analysis of the singing music of Beijing Opera, it is found that the sound of the relative high point is logical stress. The law of logical stress is not limited and influenced by Chinese four-tone and rut rhyme. According to the melody, the range relationship-the range jump in the tone, progressive, homophonic repetition, decorative tone, and so on, rhythmic type-syncopation, punctuation note, equal value note rhythm and so on change and change. The law of music expression is becoming stronger and weaker, which is the most prominent in the singing process of Peking Opera and has become a natural traditional law. Studying the "logical stress" law of Peking opera music can help Beijing opera professionals and non-Peking opera professionals to understand Beijing opera music from a new angle and faster, and better understand and master the rules of the music language of Beijing opera. Help non-Peking opera professionals to remove the mystique of the musical language of Peking opera.
【作者单位】: 中国戏曲学院音乐系;北京市门头沟区中等职业学校;
【分类号】:J617.13

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