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传统曲谱与戏曲关系研究的新思考

发布时间:2019-03-08 20:20
【摘要】:曲谱是古典戏曲文献学的重要遗产,是散曲、剧曲等曲体文学有关宫调、句格、字格、字声、韵位、正衬、末句等多种参数的格律规范,兼具曲目、曲选、曲品、曲论的特殊作用,旁涉到戏曲批评的诸多深层问题。撰谱人在曲谱的序跋、凡例、总论、注解、夹批、评点、疏证及相关尺牍中阐述的制谱经验和习曲心得,蕴藏许多曲体文学的真知灼见和传奇创作的体制方法。而涉及到的戏曲概念、术语、范畴、流派、论争以及重要历史事件,都和明清传奇发展史和重要剧作家有重要关联。
[Abstract]:Music score is an important legacy of classical opera philology, and it is a metric norm of various parameters, such as song style, sentence pattern, character sound, rhyme position, positive contrast, final sentence, etc., which has both repertoire, song selection, and song works. The special function of qu theory is related to many deep-seated problems of drama criticism. In the preface and postscript of musical composition, examples, general theories, notes, comments, proofs and related genres, the author has expounded the experience of music-making and the experience of music practice, which contains many insights into music-style literature and the system and methods of legendary creation. The concepts, terms, categories, genres, controversies and important historical events involved in drama are closely related to the legendary development of Ming and Qing dynasties and important dramatists.
【作者单位】: 东华理工大学江西戏剧资源研究中心;
【基金】:2014年度教育部人文社科研究规划基金项目《元明清曲谱与南戏传奇关系研究》(项目号14YJA751008)阶段性成果
【分类号】:J805

【参考文献】

相关期刊论文 前1条

1 吕薇芬;;从北曲格律看词曲渊源[J];文学遗产;2011年02期

【共引文献】

相关期刊论文 前2条

1 黄振林;;传统曲谱与戏曲关系研究的新思考[J];戏曲艺术;2017年02期

2 王鑫;;“两下锅”:从昆、弋合流看昆曲的地方化过程[J];人民音乐;2014年03期



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