论戏曲艺术对民族歌剧发展的作用
发布时间：2019-03-09 12:17
【摘要】：中国民族歌剧诞生以来,就成为了中国文艺舞台上一个重要的舞台表演形式。民族歌剧经历了“五四”运动后的萌芽和初期发展阶段、建国以后到改革开放初期的繁荣期、改革开放到现在的萧条期。今天,民族歌剧止伴随着中国现代化发展而不断的成长和成熟起来。中西方文化有着明显的差异,中国民族歌剧不能照搬西洋歌剧的模式。戏曲作为民族歌剧产生和发展的一个母体,对新时期民族歌剧的发展有很强的借鉴和指导作用。 京剧艺术是是众多传统戏曲艺术中艺术价值最高影响最大的一个剧种,是东方美学的集中体现。京剧体现道德至善与艺术至美的统一,采用写意性虚拟性的表现方式,注重神似高于形似,有独特的唱腔设计,以歌舞演故事,其音乐植根民间,而且有完善的人才培养方式。京剧的这些艺术特征都值得民族歌剧借鉴、吸收,进一步发扬光大。
[Abstract]:Since the birth of Chinese national opera, it has become an important stage performance form on the stage of Chinese literature and art. The national opera experienced the sprout and the initial stage of development after the May 4th Movement, the prosperous period from the founding of the people's Republic of China to the early stage of reform and opening-up, the reform and opening-up to the present period of depression. Today, national opera continues to grow and mature with the development of China's modernization. There are obvious differences between Chinese and western cultures, Chinese national opera can not copy the western opera model. As a parent of the emergence and development of national opera, opera has a strong reference and guidance for the development of national opera in the new period. The art of Beijing Opera is one of the most influential operas in many traditional opera arts, and it is the concentrated embodiment of Oriental Aesthetics. Beijing Opera embodies the unity of morality and art, adopts the expression of freehand virtuality, pays attention to God's resemblance higher than shape, has unique singing design, performs stories with song and dance, its music is rooted in folk, and has perfect talent training way. These artistic characteristics of Beijing Opera are worthy of reference, absorption and further development of national opera.
【学位授予单位】：中国音乐学院
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J822
本文编号：2437443
[Abstract]:Since the birth of Chinese national opera, it has become an important stage performance form on the stage of Chinese literature and art. The national opera experienced the sprout and the initial stage of development after the May 4th Movement, the prosperous period from the founding of the people's Republic of China to the early stage of reform and opening-up, the reform and opening-up to the present period of depression. Today, national opera continues to grow and mature with the development of China's modernization. There are obvious differences between Chinese and western cultures, Chinese national opera can not copy the western opera model. As a parent of the emergence and development of national opera, opera has a strong reference and guidance for the development of national opera in the new period. The art of Beijing Opera is one of the most influential operas in many traditional opera arts, and it is the concentrated embodiment of Oriental Aesthetics. Beijing Opera embodies the unity of morality and art, adopts the expression of freehand virtuality, pays attention to God's resemblance higher than shape, has unique singing design, performs stories with song and dance, its music is rooted in folk, and has perfect talent training way. These artistic characteristics of Beijing Opera are worthy of reference, absorption and further development of national opera.
【学位授予单位】：中国音乐学院
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J822
【引证文献】
相关硕士学位论文 前1条
1 李玉昆;中国民族歌剧表演与戏曲表演比较研究[D];河南大学;2012年
，本文编号：2437443
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