近代戏曲史的跨度及其分期问题

发布时间：2019-03-27 12:50

【摘要】：关于近代戏曲史的跨度目前有两种意见:一是仿照中国近、现代文学史的体例,将1840—1919年的戏曲视为近代戏曲史,1920—1949年的戏曲则划归现代戏曲史;二是将1840—1949年的戏曲都作为近代戏曲的研究对象。"五四"运动对近代戏曲的影响不是太大,不必分为近、现代两个段落。在汉语中,近代、现代的含义并无严格区别,在英语中则是同一词汇,"近代"一词能指称1840—1949年的戏曲。有人将近代戏曲分为1840—1911、1912—1937、1938—1949三个阶段,这一以社会发展史为依据的划分并不能准确反映近代戏曲发展的阶段性,以20世纪初为界将近代戏曲分为前后两期比较符合近代戏曲史的实际。研究近代戏曲史的跨度和分期问题,既不能脱离社会政治文化语境,但又要注意到文学艺术的发展与社会历史进程并不完全同步,不能简单地用社会革命史的进程来代替戏曲史发展的进程。
[Abstract]:There are two opinions on the span of the history of modern opera: one is to imitate the style of modern Chinese literature history, to regard the opera of 1840-1919 as the history of modern drama, and to classify the opera of 1920-1949 to the history of modern opera; The second is to take the opera of 1840-1949 as the research object of modern opera. " The influence of the May 4th Movement on modern opera is not too great, so it is not necessary to divide it into two sections: near and modern. In modern Chinese, the modern meaning is not strictly different, but in English it is the same word. The word "modern" can refer to the opera from 1840 to 1949. Some people divided modern opera into three stages: 1840-1911, 1912-1977 and 1938-1949. The division based on the history of social development can not accurately reflect the stages of the development of modern opera. Taking the beginning of the 20th century as the boundary, the modern opera is divided into two periods, which accords with the reality of the history of modern opera. The study of the span and stages of the history of modern opera cannot be separated from the context of social politics and culture, but it is also important to note that the development of literature and art is not fully synchronized with the process of social history. We cannot simply substitute the progress of the history of social revolution for the development of the history of drama.
【作者单位】：武汉大学艺术学系;
【分类号】：J809.2

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