戏曲艺术的“无限”与“有限”——浅谈戏曲艺术的虚拟美
发布时间：2019-03-27 15:50
【摘要】：虚拟是中国戏曲的重要特征,戏曲中时间与空间的处理,正是通过虚拟手法将局限的舞台巧妙地转化成广阔的艺术展现空间。中国传统戏曲的虚拟化展现方式是利用表演艺术的假定性,将来源于生活的真实经过艺术提炼,形成幻化的意境。
[Abstract]:Virtual is an important feature of Chinese opera. The processing of time and space in Chinese opera is how to turn the limited stage into broad artistic display space by means of virtual technique. The virtualized display way of Chinese traditional opera is to make use of the hypocrisy of performing arts, which will be derived from the real art of life in the future through artistic refinement, forming the illusion of artistic conception.
【作者单位】： 中央戏剧学院戏剧管理系;
【基金】：2013年度国家社会科学艺术基金资助项目“中国戏曲演出制作模式探索”的阶段性成果,项目编号:13BB012
【分类号】：J801
，
本文编号：2448327
[Abstract]:Virtual is an important feature of Chinese opera. The processing of time and space in Chinese opera is how to turn the limited stage into broad artistic display space by means of virtual technique. The virtualized display way of Chinese traditional opera is to make use of the hypocrisy of performing arts, which will be derived from the real art of life in the future through artistic refinement, forming the illusion of artistic conception.
【作者单位】： 中央戏剧学院戏剧管理系;
【基金】：2013年度国家社会科学艺术基金资助项目“中国戏曲演出制作模式探索”的阶段性成果,项目编号:13BB012
【分类号】：J801
，
本文编号：2448327
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