表演艺术的肢体语言再探索
发布时间：2019-04-08 11:44
【摘要】：在表演艺术中，无论是传统戏曲还是戏剧，，或者是后来出现的电影，人物角色都是由人扮演。只要出现人，就会有表情和动作，也就是肢体语言。肢体语言作为演员创作角色的重要手段之一，在表演中的地位不可忽视。本文用几万字的篇幅，在大量资料的基础上，梳理了从中国传统戏曲到早期话剧、从西方戏剧到现代话剧、从早期电影到现代电影中肢体语言的表现方式和转变。探索肢体语言在表演中的转变以及独特重要性，是本文前两章论述的重点。本文第三章是难点，论述了演员对肢体语言的理性分析和控制能力。第四章主要以影片分析论述了在表演中，演员塑造人物形象时肢体语言的独特魅力。
[Abstract]:In the performing arts, characters are played by people, whether they are traditional opera or drama, or later films. As long as there is a person, there will be expressions and movements, that is, body language. Body language, as one of the most important means for actors to create roles, can not be ignored in the performance. This paper uses tens of thousands of words to sort out the expression and transformation of body language from Chinese traditional opera to early drama, from western drama to modern drama, from early film to modern film on the basis of a large amount of data. Exploring the transformation and unique importance of body language in performance is the focus of the first two chapters of this paper. The third chapter is the difficult point, discusses the actor's rational analysis and control ability to the body language. The fourth chapter mainly discusses the unique charm of body language when the actor portrays the character image in the performance with the film analysis.
【学位授予单位】：南京艺术学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J812;J912
本文编号：2454543
[Abstract]:In the performing arts, characters are played by people, whether they are traditional opera or drama, or later films. As long as there is a person, there will be expressions and movements, that is, body language. Body language, as one of the most important means for actors to create roles, can not be ignored in the performance. This paper uses tens of thousands of words to sort out the expression and transformation of body language from Chinese traditional opera to early drama, from western drama to modern drama, from early film to modern film on the basis of a large amount of data. Exploring the transformation and unique importance of body language in performance is the focus of the first two chapters of this paper. The third chapter is the difficult point, discusses the actor's rational analysis and control ability to the body language. The fourth chapter mainly discusses the unique charm of body language when the actor portrays the character image in the performance with the film analysis.
【学位授予单位】：南京艺术学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J812;J912
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本文编号：2454543
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