“剧
发布时间：2019-04-08 13:20
【摘要】：“剧场”作为一个话题或者说艺术形式慢慢的呈现出了它的重要性。然而作者作为非“剧场”实践者进入到“剧场”中思考“剧场”概念所带来的最终结果是：我们将思考置于何处？因此作者认为考证“剧场”行为以及思考“剧场”行为的目的即在于：在研究中展现理解“概念”的多种角度以及在冲突中所呈现的可能性。文中“剧场”概念在西方剧场史和雅克·朗西埃之下所处的维度是截然不同的。前者提供一种了解剧场行为的基础方式，而后者提供了一个以剧场行为作为预设来讨论美学的政治力量的言语模式。实践者在两种概念之间寻找的是两者之外的他处，，一个与其切身相关的思辩方式。就作者而言这种他处是艺术与政治之间的一个个节点。
[Abstract]:Theater, as a topic or art form, is slowly showing its importance. However, as a non-"theater" practitioner, the author enters the "theatre" to think about the concept of "theater" and the final result is: where do we think? Therefore, the author thinks that the purpose of studying "theater" behavior and thinking about "theater" behavior is to show the various angles of understanding "concept" and the possibility of "conflict" in the study. In this paper, the concept of theater is different from that of Jacques Longsier in the history of western theater. The former provides a basic way to understand theater behavior, while the latter provides a speech model in which theater behavior is used as a presupposition to discuss the political power of aesthetics. What practitioners are looking for between the two concepts is somewhere else, a way of thinking that is directly related to them. As far as the author is concerned, the other is a node between art and politics.
【学位授予单位】：中国美术学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J809
本文编号：2454614
[Abstract]:Theater, as a topic or art form, is slowly showing its importance. However, as a non-"theater" practitioner, the author enters the "theatre" to think about the concept of "theater" and the final result is: where do we think? Therefore, the author thinks that the purpose of studying "theater" behavior and thinking about "theater" behavior is to show the various angles of understanding "concept" and the possibility of "conflict" in the study. In this paper, the concept of theater is different from that of Jacques Longsier in the history of western theater. The former provides a basic way to understand theater behavior, while the latter provides a speech model in which theater behavior is used as a presupposition to discuss the political power of aesthetics. What practitioners are looking for between the two concepts is somewhere else, a way of thinking that is directly related to them. As far as the author is concerned, the other is a node between art and politics.
【学位授予单位】：中国美术学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J809
【参考文献】
相关期刊论文 前1条
1 雅克·朗西埃;张春艳;;被解放的观众[J];当代艺术与投资;2011年02期
本文编号：2454614
本文链接：https://www.wllwen.com/wenyilunwen/xijuwudaolunwen/2454614.html
