新世纪中国先锋戏剧研究
[Abstract]:Dramatic art has a history of more than 2,500 years. In this vast and endless history, different periods of drama have distinct characteristics of the times, and with the continuous progress of society, Dramatic art is also undergoing continuous development and change. However, it can not be denied that the dramatic creators transcended the eyes and ideas of the times and their bold attempts and explorations on the theatrical stage also promoted the development and change of the drama. Therefore, it can be said that the history of drama is a history intertwined in the inheritance of tradition and exploration and development. Similarly, the Chinese dramatic art, which has a hundred years of history, is also undergoing such a development process. It is worth noting that since the 1980s, Chinese avant-garde drama has gradually ascended the stage of Chinese drama under the banner of rebellious tradition, and its appearance has not only broken the original pattern of Chinese drama, Has brought the audience never before the audio-visual enjoyment, has also greatly enriched the Chinese drama stage. After entering the new century, a lot of new changes have appeared on the stage of avant-garde drama, the most obvious is that the theatrical performance is full of rich commercial atmosphere, and the funny scenes frequently appear on the stage. More and more people begin to realize that how to inherit and develop the original characteristics of avant-garde drama has become one of the important problems for drama creators to ponder and explore. In this decade of the new century, China's avant-garde drama stage is colorful, young directors emerge one after another, commercial drama develops rapidly, but at the same time, there are also problems such as loss of drama ontology and lack of ideological connotation, and so on. There are even many directors under the banner of avant-garde, but do fake avant-garde creation. Literary and artistic development needs literary criticism, of course, drama is no exception. Based on the consideration and exploration of the development of Chinese avant-garde drama, this paper makes an objective research and discussion on the Chinese avant-garde drama in the new century, in order to provide a reference for the development of Chinese avant-garde drama in the future. Enrich the theatrical stage of China. This paper is divided into five parts. The first part gives a brief introduction to the development of Chinese avant-garde drama in the new century. The second part analyzes the text creation of Chinese avant-garde drama in the new century from three aspects: drama language, classical deconstruction and collage form. The third part analyzes the ideological content of the Chinese avant-garde drama with three thematic words: love, ideal and loneliness, and the fourth part focuses on the changes in the dramatic function of the Chinese vanguard drama in the new century. The fifth part mainly expounds the achievements and existing problems of the Chinese avant-garde drama in the new century, and makes further reflection on how to maintain the development of the Chinese avant-garde drama in the new century.
【学位授予单位】:吉林大学
【学位级别】:硕士
【学位授予年份】:2011
【分类号】:J809.2
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