歌剧《图兰朵》与京剧《图兰朵公主》审美表现之比较
发布时间：2019-05-15 09:00
【摘要】： 本文以中国京剧《图兰朵公主》和西方歌剧《图兰朵》这两种不同戏剧形式所表现的同一作品为研究对象,在现有研究的基础上,从戏剧理念、视觉、听觉等三个方面详尽深入地讨论了两个作品的异同,并探讨其表演及音乐上的技术特点和艺术特色,期望对中国京剧和西方歌剧两种艺术的审美表现有较深认识,对中国戏曲和外国歌剧创作中的相互借鉴和融合具有积极意义。 全文分为四个章节: 引言部分主要对两剧的所描写故事的来源情况进行了说明,并分别针对两剧的社会背景、创作经过进行了详尽的阐述,是论文对象的基本描述,也是全论文的基础。第一章从情节观和戏剧结构两个方面探讨了两剧整体结构形态以及在戏剧理念上的差别,指出京剧的“赏玩性特点”以及歌剧对“情节”的重视;并从戏剧结构方面分析了京剧《图兰朵公主》和歌剧《图兰朵》各自的结构特点。第二章从视觉角度,论述了两种艺术在表演特点、舞台道具、服装造型上的不同,指出京剧“舞蹈化”、“程式化”、“写意化”的特点和歌剧“写实性”,追求模仿与再现的特点。第三章从听觉角度对比了两种艺术在歌唱和器乐方面的不同,讨论了两种艺术在唱法及乐队使用方面的差异。 全文最后对两剧比较的整体情况进行了总结,并就它们对中国戏曲、外国歌剧创作的积极意义提出了自己的见解。
[Abstract]:This paper takes the same works of Chinese Beijing Opera Princess Tulando and Western Opera Tulando as the research object, on the basis of the existing research, from the drama idea, the vision, the article takes the same work which is expressed in the two different drama forms of the Chinese Beijing opera "Princess Tulando" and the western opera "Tulando" as the research object. The similarities and differences of the two works are discussed in detail in three aspects, and the technical and artistic characteristics of their performances and music are discussed in detail. It is expected to have a deeper understanding of the aesthetic expression of the two kinds of art, Chinese Peking Opera and Western Opera. It is of positive significance to draw lessons from and merge with each other in Chinese opera and foreign opera creation. The full text is divided into four chapters: the introduction mainly explains the origin of the stories described in the two dramas, and respectively, according to the social background of the two dramas, the creation is described in detail, which is the basic description of the object of the paper. It is also the basis of the whole paper. The first chapter discusses the overall structure of the two plays and the differences in drama ideas from the two aspects of situational view and drama structure, and points out the "appreciative characteristics" of Beijing Opera and the importance that opera attaches to "plot". From the aspect of drama structure, this paper analyzes the structural characteristics of Princess Tulando and opera Tulando in Beijing Opera. From the visual point of view, the second chapter discusses the differences between the two kinds of art in performance characteristics, stage props and clothing modeling, and points out the characteristics of "dancing", "stylized" and "freehand brushwork" in Beijing Opera and the opera "realism". Pursue the characteristics of imitation and reproduction. The third chapter compares the differences between the two kinds of art in singing and instrumental music from the perspective of hearing, and discusses the differences between the two kinds of art in singing and band use. Finally, the paper summarizes the overall situation of the comparison between the two plays, and puts forward their own views on their positive significance to Chinese opera and foreign opera creation.
【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J832;J821
本文编号：2477385
[Abstract]:This paper takes the same works of Chinese Beijing Opera Princess Tulando and Western Opera Tulando as the research object, on the basis of the existing research, from the drama idea, the vision, the article takes the same work which is expressed in the two different drama forms of the Chinese Beijing opera "Princess Tulando" and the western opera "Tulando" as the research object. The similarities and differences of the two works are discussed in detail in three aspects, and the technical and artistic characteristics of their performances and music are discussed in detail. It is expected to have a deeper understanding of the aesthetic expression of the two kinds of art, Chinese Peking Opera and Western Opera. It is of positive significance to draw lessons from and merge with each other in Chinese opera and foreign opera creation. The full text is divided into four chapters: the introduction mainly explains the origin of the stories described in the two dramas, and respectively, according to the social background of the two dramas, the creation is described in detail, which is the basic description of the object of the paper. It is also the basis of the whole paper. The first chapter discusses the overall structure of the two plays and the differences in drama ideas from the two aspects of situational view and drama structure, and points out the "appreciative characteristics" of Beijing Opera and the importance that opera attaches to "plot". From the aspect of drama structure, this paper analyzes the structural characteristics of Princess Tulando and opera Tulando in Beijing Opera. From the visual point of view, the second chapter discusses the differences between the two kinds of art in performance characteristics, stage props and clothing modeling, and points out the characteristics of "dancing", "stylized" and "freehand brushwork" in Beijing Opera and the opera "realism". Pursue the characteristics of imitation and reproduction. The third chapter compares the differences between the two kinds of art in singing and instrumental music from the perspective of hearing, and discusses the differences between the two kinds of art in singing and band use. Finally, the paper summarizes the overall situation of the comparison between the two plays, and puts forward their own views on their positive significance to Chinese opera and foreign opera creation.
【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J832;J821
【引证文献】
相关硕士学位论文 前2条
1 程秀丽;普契尼歌剧《图兰朵》的剧本分析[D];东北师范大学;2012年
2 欧琳露;昆剧六旦与西洋歌剧轻型抒情女高音演唱风格的比较[D];华南理工大学;2012年
，本文编号：2477385
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