舒曼钢琴套曲中节奏重音的运用及演奏研究

发布时间：2018-01-17 00:29

本文关键词：舒曼钢琴套曲中节奏重音的运用及演奏研究　出处：《西南大学》2017年硕士论文　论文类型：学位论文

【摘要】：舒曼作为十九世纪德国杰出作曲家、音乐评论家,是浪漫主义音乐代表人物之一。舒曼钢琴套曲是舒曼依据组曲、变奏曲式,并借鉴舒伯特声乐套曲的原则创造的一种新的体裁形式。这些由多首不同标题、形象独立、精致无比、相互对比的钢琴小曲组成的套曲在舒曼笔下变得精巧自由,短小精悍。舒曼的钢琴套曲不仅形式独特、新颖,在旋律、节奏、织体、和声等手法上也体现了作曲家的匠心独具。其中舒曼的钢琴套曲中值得注意的是其独特、丰富且复杂的节奏。在节奏上,舒曼运用节奏重音的多变性为音乐打破小节线限制,制造了很多的可能性,打破以小节为单位的传统写作手法为音乐的节奏动力、细腻程度和多样性做出了不可磨灭的贡献,同时也正如舒曼自己所说,节奏重音的变化运用让音乐能够像让·保尔的散文一样自由而优美。本文选取舒曼钢琴套曲作为研究对象,分析和研究其中节奏重音的运用与呈现,在此基础上对这些节奏重音的演绎进行了一定的诠释。本文共分为四个部分:第一章绪论部分包括选题缘由和文献综述两方面;第二章从理论方面讲述了节奏、节拍、重音及节奏重音,并简述了舒曼音乐的节奏重音运用的独特性及研究价值;第三章,对舒曼钢琴套曲节奏重音的运用进行了谱例分析;第四章在第三章分析的基础上就节奏重音进行演奏上的分析和阐述,并小结。在结语部分对本研究进行总结和对未来本领域研究方向做出了阐述。
[Abstract]:Schuhmann as the nineteenth Century German composer, music critic, is one representative of romantic music. Schuhmann piano cycle is based on the Schuhmann suite, variations, and draw a new genre in the form of the creation of Schubert vocal divertimento principles. By those first with the title, the image of independent, exquisite, the contrast of piano composition of the divertimento become exquisite free, dapper under Schuhmann's pen. Schuhmann's piano divertimento not only in the novel, unique form, melody, rhythm, texture, harmony and other practices also reflects the composer's originality. One of Schuhmann's piano divertimento in is notable for its unique, rich and complex in rhythm and rhythm. Schuhmann, variability using rhythmic stress to break the bars of music, making a lot of possibilities, to break the section as a unit of the traditional writing techniques for Music Festival Playing power, made an indelible contribution to the delicate degree and diversity, at the same time as Schuhmann himself said, the use of stress change rhythm let the music can be like Jean Paul's prose as free and beautiful. This paper selects the Schuhmann piano cycle as the research object, analysis and research the use and presentation of rhythmic stress, on the basis of these rhythmic stress deduction of certain interpretation. This paper is divided into four parts: the first chapter is the introduction part includes two aspects of the topic and literature review; the second chapter from the theoretical aspects of rhythm, rhythm, stress and rhythm of stress, and the unique value of the research and application of Schuhmann's music rhythm accent the third chapter; application of Schuhmann piano suite of music rhythm stress analysis; the fourth chapter is based on the third chapter, analyzes and illustrates the performance on the rhythmic stress In the concluding part, the research is summarized and the future research direction is expounded.

【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J624.1

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