西贝柳斯《第五交响曲》主题结构研究

发布时间：2018-02-03 21:01

本文关键词： 西贝柳斯第五交响曲主题结构曲式结构　出处：《山东师范大学》2017年硕士论文　论文类型：学位论文

【摘要】：让·西贝柳斯(1865-1957)是19世纪芬兰民族乐派、浪漫晚期的代表人物。1915-1919年历时4年所创作的bE大调《第五交响曲》修改两次后才最终定稿,从他遗留下来的草稿中可以看到许多试图解决、构造这部大型作品的不同方案。这部交响曲鲜明地反映出他对大自然的热爱,也充分展现了他继承古典、浪漫主义精髓的特点,还表明他并未使用当时探索现代音乐的种种技法,而是继承传统并在此基础上具有极富个人特色的创新。本文以《第五交响曲》主题结构的研究为主线,力图探究作曲家在创作中最有特点的主题构造手法并进行归纳。全文分为引言、第一章、第二章、第三章以及结语五部分。引言部分概述了西贝柳斯的创作生涯及《第五交响曲》的创作风格与特点。第一章到第三章分别以“各乐章内部主题结构的生成特点”“各乐章之间主题的联系”以及“主题结构及其变化对曲式结构的影响”为纲系统论述了西贝柳斯《第五交响曲》的主题结构及其变化特点,通过分析、归纳主题结构的生成特点而探索各个乐章之间主题的联系,并从而确定受此影响所生成的曲式结构。结语部分对上述三章的内容进行了总结,从理性的思维角度出发,完成对其创作理念的深入探究,从而更好的回归作品本身并感受其中蕴含的深远意义。
[Abstract]:Jean Sibeliusk (1865-1957) is the finalist of Finnish national music in 19th century. The late Romantic figure, "Symphony 5th" in b E major, written four years from 1915-1919, was revised twice before being finalized. From the drafts he left behind, you can see many different plans to solve and construct this big work. The symphony clearly reflects his love of nature and fully demonstrates the characteristics of his inheritance of the classical, romantic essence. It also shows that he did not use the techniques of exploring modern music at that time, but inherited the tradition and on the basis of which he had extremely personal characteristics. The main line of this paper is the study of the theme structure of < 5th Symphony >. Try to explore the composers in the creation of the most characteristic thematic construction techniques and induction. The full text is divided into the introduction, the first chapter, the second chapter, The third chapter and the conclusion five parts. The introduction part summarizes the creation career of Sibelius and the creation style and characteristic of "5th Symphony". The first to the third chapter respectively with "each movement internal theme structure generation characteristic" The relationship between the themes and the influence of the theme structure and its changes on the form structure of Symphony 5th of Sibelius are discussed systematically. Through analysis, the characteristics of theme structure are summarized and the relationship between themes is explored, and the structure of musical form generated by this influence is determined. The conclusion part summarizes the contents of the above three chapters. From the perspective of rational thinking, the author completes the deep exploration of his creative ideas, so as to better return to the work itself and feel the profound significance contained therein.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J614

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