李斯特《浮士德圆舞曲》演奏分析

发布时间：2018-02-09 19:17

本文关键词： 李斯特浮士德圆舞曲演奏分析　出处：《山东师范大学》2017年硕士论文　论文类型：学位论文

【摘要】：被誉为“钢琴之王”的匈牙利作曲家、钢琴家弗朗兹·李斯特(FranzLiszt 1811-1886),是浪漫主义时期具有影响力的音乐家之一。李斯特一生创作了大量广为流传的作品,早期以钢琴作品创作为主,有练习曲、狂想曲、奏鸣曲、舞曲及钢琴改编曲。钢琴改编曲,是钢琴演奏和音乐创作技术的完美结合,李斯特是钢琴改编曲这一形式的重要代表人物,他将14位作曲家的42首歌剧作品改编成钢琴曲。《浮士德圆舞曲》是李斯特根据古诺歌剧《浮士德》中第二幕结尾,群舞音乐改编创作的。笔者通过检索资料发现,关于李斯特钢琴改编曲的研究较多,但涉及《浮士德圆舞曲》的论文仅有一篇,为笔者对该作品的演奏分析提供了较大的研究空间。本文以《浮士德圆舞曲》为例,对作品的创作背景和音乐本体进行简要分析,结合笔者的演奏实践,分别从触键、和弦、八度及踏板等演奏技巧进行分析,并将此作为本文的创新点。希望更多钢琴学习者对李斯特《浮士德圆舞曲》有一个深入的了解。
[Abstract]:The Hungarian composer and pianist Franz Liszt 1811-1886, known as the "King of the Piano," was one of the influential musicians of the Romantic period. In the early years, piano compositions were mainly composed of etudes, Rhapsody, Sonata, Dance and Piano adaptations. The piano adaptation was a perfect combination of piano performance and music creation techniques. Liszt was an important figure in the form of piano adaptation. He adapted 42 operas from 14 composers to piano music. "Faustus Waltz" is the end of Liszt's second act in the Cournot opera Faust. The author finds that there are many researches on Liszt's piano adaptation, but there is only one paper about Faustus Waltz. This paper, taking Faustus Waltz as an example, makes a brief analysis of the background of the creation of the work and the music ontology, and combines the author's performance practice, respectively from the touch key, chord, and so on. The octave and pedal performance techniques are analyzed, and this is regarded as the innovation of this paper. It is hoped that more piano learners will have an in-depth understanding of Liszt Faustus Waltz.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J624.1

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