《图画展览会》—从钢琴到乐队的配器思维分析

发布时间：2018-03-02 21:51

本文选题：图画展览会　切入点：编配　出处：《西安音乐学院》2017年硕士论文　论文类型：学位论文

【摘要】：《图画展览会》原是十九世纪俄罗斯著名作曲家穆索尔斯基的一首钢琴组曲,完成于1874年。这部作品的创作动机来源于已逝世好友哈特曼画展中的十幅画,穆索尔斯基将这十幅完全没有关联的画用一个称之为“漫步”的主题连接起来,从而展现给大家一个赋予感情变化充满个性的音乐画廊。写作上的这个独特构思和大胆创新,使得这首作品后来深受欢迎,也是现存改编版本最多的一首曲子,而最著名的便是法国作曲家拉威尔改编的管弦乐版本。拉威尔用他丰富、新颖、独特的配器手法使这首作品的音乐表现力更加绚丽多彩,吸引更多的听众。拉威尔丰富而独具特点的配器手法也成为学者广泛研究学习的重点。该论文就是选用拉威尔改编的管弦乐版本的《图画展览会》为研究对象,主要论述从钢琴到乐队,整个编配过程的乐队思维、乐队处理,从最初结构划分在乐队中的体现到钢琴织体形态的乐队化,结合书上理论进行详细说明,是我们学习配器和实践的重要步骤。该论文由绪论、作曲家生平简介和创作风格、钢琴到乐队,“配器”思维的体现、结语四部分组成,以“配器”过程的思维逻辑分析为写作的重点。其重点在第二章的“配器”思维的体现。对学习和掌握配器技法尤为重要。结语部分是该论文研究成果的总结。
[Abstract]:The Picture Exhibition was originally a piano suite by Mussolski, a famous Russian composer in 19th century, and was completed on 1874. The creative motivation of this work was derived from ten paintings at the exhibition of dead friend Hartman. Mussolski connected the ten completely unrelated paintings with a theme called "stroll," thus presenting you with a musical gallery that gave you the personality of emotional change. This unique idea and bold innovation in writing. It became the most popular piece of music in existence, and the most famous was the orchestral version of the French composer Ravel, who was rich and novel. The unique orchestration makes the musical expression of this work more colorful, To attract more listeners. Ravel's rich and unique orchestration techniques have also become the focus of extensive research. This paper is based on Ravel's Orchestra version of Picture Exhibition. From piano to band, the whole arrangement process of band thinking, band processing, from the initial structure of the band in the band to the piano texture form of the band, combined with the book theory to explain in detail, It is an important step in our study of orchestration and practice. The paper is composed of four parts: introduction, introduction of the composer's life and style of creation, piano to band, reflection of "orchestration" thinking, and conclusion. This paper focuses on the logical analysis of the process of "orchestration", which focuses on the reflection of "orchestration" thinking in Chapter 2, which is particularly important for learning and mastering the orchestration techniques. The conclusion is a summary of the research results of this paper.
【学位授予单位】：西安音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J614.4

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