实用主义音乐美学思想——以舒斯特曼的文论为纲

发布时间：2018-03-03 02:29

本文选题：音乐艺术　切入点：音乐美学　出处：《艺术百家》2017年03期 　论文类型：期刊论文

【摘要】：美国新一代实用主义美学家舒斯特曼承继前辈杜威的美学思想,并创造性地提出了"身体美学";对音乐界而言,可贵的是他的一些著述涉及音乐美学问题,如身体对音乐表演和音乐审美的意义;流行音乐如Rap,除了身体的介入之外,它具有自身正面的美学价值,并非学术精英所批判的那样都是负面价值。实用主义美学对生活美学、环境美学等新兴美学思潮具有基础意义。由于新老实用主义者都对中国或东方文化具有特殊兴趣,因此反过来他们的思想对开发我国传统音乐美学资源也有参考价值。
[Abstract]:Schustman, a new American pragmatist aesthetician, inherits Dewey's aesthetic thought and creatively puts forward "body aesthetics". For example, the meaning of body to music performance and music appreciation; pop music, such as Rapp, has its own positive aesthetic value, not all negative value as criticized by academic elite. The new aesthetic thoughts such as environmental aesthetics are of fundamental significance. Since both old and new pragmatists have special interest in Chinese or oriental culture, their thoughts in turn have reference value for the development of Chinese traditional music aesthetic resources.
【作者单位】：中央音乐学院音乐学研究所;
【分类号】：J601

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