崔世光钢琴组曲《钢琴上的福斯特》创作技法与演奏分析

发布时间：2018-03-09 16:30

本文选题：崔世光　切入点：钢琴上的福斯特　出处：《西安音乐学院》2017年硕士论文　论文类型：学位论文

【摘要】：本论文的研究对象是中国当代作曲家崔世光的作品——钢琴组曲《钢琴上的福斯特》。崔世光(1948—)是中国当代著名的作曲家、钢琴家,多年来一直致力于钢琴音乐的创作,特别是在中西融合方面做出了巨大贡献。其创作风格多元化,选材视角新颖,在国内外广为流传。钢琴组曲《钢琴上的福斯特》是崔世光在留美期间的创作,体现了他对20世纪美国多元化音乐的探索和理解。作品有着独特的创作构思,运用到中国五声调式元素,也使其体现出中国式的气质内涵。本论文主要分为三个章节,第一章是对崔世光音乐创作的概述;第二章是对钢琴组曲《钢琴上的福斯特》的作品分析;第三章是对钢琴组曲《钢琴上的福斯特》的演奏分析,以此三方面来探究崔世光“中西结合”的音乐语汇和在作品的演奏教学中个性风格的掌握和运用。
[Abstract]:The object of this thesis is the work of Chinese contemporary composer Cui Shiguang-Piano Suite "Foster on the Piano". Cui Shiguang is a famous composer and pianist in contemporary China, who has been devoted to the creation of piano music for many years. In particular, it has made a great contribution to the integration of China and the West. Its creative style is diversified, the perspective of material selection is novel, and it is widely spread at home and abroad. The Piano Suite "Foster on the Piano" is the creation of Chui Shi-guang during his stay in the United States. It reflects his exploration and understanding of American pluralistic music in 20th century. His works have a unique creative conception, which is applied to Chinese pentatonic elements, and also reflects the connotation of Chinese temperament. This paper is mainly divided into three chapters. The first chapter is an overview of Cui Shiguang's music creation; the second chapter is the analysis of the works of Piano Suite "Foster on the Piano"; the third chapter is the analysis of the performance of Piano Suite "Foster on the Piano". This paper probes into Cui Shiguang's musical vocabulary of "combination of Chinese and Western" and the mastery and application of his personality style in the teaching of performing works.
【学位授予单位】：西安音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J624.1

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