贵州省黔西南州普安县龙吟镇大花苗音乐现状研究

发布时间：2018-03-09 17:33

本文选题：龙吟　切入点：大花苗　出处：《贵州师范大学》2015年硕士论文　论文类型：学位论文

【摘要】：贵州省黔西南州普安县龙吟镇大花苗是一个古老而迁徙的民族,其传统音乐是当地苗族在长期的生活与劳动中形成的,他们用音乐表达情感,用音乐传递信息。100多年前英国传教士塞缪尔·伯格理来到滇黔川边界威宁石门坎传教,与当地苗民一起创建了伯格里苗文和“波拉德”苗文记谱法。至此以后,大花苗的音乐文化便在他们的民族传统和基督教双重影响下发展传承。本文笔者将从以下方面展开研究阐述:“引言”部分是对龙吟大花苗的背景及其研究意义进行必要的概括,分析国内研究现状并展开研究思路。第一章主要研究“龙吟大花苗的音乐文化环境”,共分为七个部分。分别从其自然地理、族源考略及历史变迁、语言文字、民族服饰、婚丧习俗、民族节日、宗教信仰方面论述。第二章是从“龙吟大花苗的音乐基本类型”着手,分析其传统古歌和颂主圣歌,再通过对其歌唱形式和常用器乐进行阐述,从而了解龙吟大花苗的民族传统与基督教交织影响下的音乐形式。第三章以“大花苗音乐艺术形态”为研究对象,分别列举了大花苗的音乐记谱法、歌曲艺术形态和传统器乐艺术形态。深入的了解和研究龙吟大花苗的音乐现状。第四章是笔者对“大花苗音乐文化的解读”,主要探究龙吟大花苗音乐文化的价值功能,针对大花苗音乐在社会中的传承与发展进行思考。文章最后部分为结语
[Abstract]:Longyin Town, Puan County, southwest Guizhou Province, is an ancient and migrating ethnic group. Its traditional music is formed by the local Miao people in the long life and labor. They express their feelings with music. More than 100 years ago, a British missionary, Samuel Bergley, came to the border of Yunnan, Guizhou and Sichuan to preach at Shimenkan, and together with the local Miao Min, he created the Burgary Miao language and the "Pollard" Miao script notation. The music culture of Dahua Miao develops and inherits under the dual influence of their national tradition and Christianity. The author will study and expound from the following aspects: "introduction" is a necessary summary of the background and significance of the study of the Longyin Big Flower Miao. The first chapter mainly studies the musical and cultural environment of the Longyin Flower Miao, which is divided into seven parts. It is divided into seven parts. It is divided into seven parts. It is divided into seven parts. It is divided into seven parts: its natural geography, the textual research of the ethnic origin and historical changes, the language and characters, the national dress, and so on. The second chapter begins with "the basic types of music of dragon singing and big flower Miao", analyzes its traditional ancient songs and the hymn of the Lord, and then expounds its singing forms and common instrumental music through the discussion of marriage and funeral customs, national festivals and religious beliefs. In the third chapter, taking "the artistic form of music of the big flower Miao" as the research object, the author enumerates respectively the music notation method of the big flower seedling. Song art form and traditional instrumental music art form. Deeply understand and study the music status quo of Longyin Big Flower Miao. Chapter 4th is the author's interpretation of "Big Flower Miao Music Culture", which mainly explores the value function of Longyin Big Flower Miao Music Culture. The last part of the article is the conclusion of the inheritance and development of the music of the big flower Miao in the society.
【学位授予单位】：贵州师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J607

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