少数民族传统音乐中的文化重构现象解析

发布时间：2018-03-25 04:39

本文选题：少数民族传统音乐　切入点：文化重构现象　出处：《贵州民族研究》2017年03期

【摘要】：文化重构作为文化再生产过程中不可缺少的一种表现形式,是文化发展的其中一种内在机制。我国是少数民族较为集中的国家,不同民族的音乐文化都有其不同的表现形式,在长期的历史发展中,这些不同民族的音乐文化出现了交流和融合的文化重构现象。在文化重构的过程中,少数民族音乐文化获得了更加多元化的发展,并在不同历史时期得到了活态传承与发展。本文解释了文化重构的内涵,并以我国土族音乐文化以及壮族刘三姐歌谣为例,阐述了我国少数民族传统音乐文化重构的现象,并进一步阐释了少数民族传统音乐文化重构的必然性和意义。
[Abstract]:As an indispensable form of expression in the process of cultural reproduction, cultural reconstruction is one of the internal mechanisms of cultural development. In the long history of development, the music culture of these different nationalities has appeared the phenomenon of cultural reconstruction of communication and fusion. In the process of cultural reconstruction, the music culture of ethnic minorities has gained a more diversified development. This paper explains the connotation of cultural reconstruction, and takes the music culture of Tu nationality and Liu Sanjie ballad of Zhuang nationality as an example to expound the phenomenon of reconstruction of traditional music culture of minority nationality in China. Furthermore, it explains the inevitability and significance of the reconstruction of minority traditional music culture.
【作者单位】：成都大学美术与影视学院;
【分类号】：J607

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