琴人毛敏仲考
发布时间:2018-03-25 05:08
本文选题:毛敏仲 切入点:琴人 出处:《人民音乐》2017年04期
【摘要】:正毛敏仲,名逊,宋元之际活跃于浙派琴坛,所作琴曲《山居吟》《樵歌》等,历久不衰,在琴史据重要之地。惜历代文献对其记载不多(1),目前仅知毛敏仲为浙江三衢人,曾随郭楚望弟子刘志方习琴;晚年受召赴元大都献艺,客死馆舍。毛敏仲琴学成就主要集中在琴曲创作上,存见琴谱大都收录其作品,其中一些却署名毛仲翁。而毛仲翁据文献记载为另一宋代琴人,历代文献对其生平更是罕有言及,似乎暗示了毛敏仲、毛仲翁为一人的可能性。饶宗颐先生《宋季金元琴史考述》一文曾提出疑惑:
[Abstract]:Zheng Mao Minzhong, Ming Xun, Song and Yuan Dynasty were active in the music circle of Zhejiang school, and their piano songs, such as "Mountain residence Yin", "Qiao Song", and so on, survived for a long time. They were not recorded much in the literature of the past dynasties. At present, Mao Minzhong is only known to be a member of the three thoroughfares of Zhejiang Province. Liu Zhifang, a disciple of Guo Chu-wang, studied the piano. In his later years, he was called to perform in the Yuan Dadu, where he died. Mao Minzhong's academic achievements mainly focused on the composition of the piano, and most of his works were included in the music. Some of them were signed by Mao Zhongweng, and Mao Zhongweng was recorded in the literature as another Qin man of the Song Dynasty, whose life was rarely mentioned in the literature of past dynasties, which seemed to imply Mao Minzhong. The possibility of Mao Zhongweng being a person. Mr. Rao Zongyi's "A textual Research on the History of Jin Yuanqin in Song Dynasty" once raised doubts:
【基金】:浙江省哲学社会科学规划立项课题“宋代以来琴派研究”(编号:13JD SX 01Y B)阶段性成果
【分类号】:J632.31
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1 严薇;;烂柯山文化与琴曲《樵歌》[J];中国音乐;2011年01期
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