板胡发展现状与传承之我见

发布时间：2018-03-29 13:42

本文选题：板胡艺术　切入点：发展　出处：《吉林艺术学院》2017年硕士论文

【摘要】：板胡,由奚琴演变而来,梆子戏曲音乐的兴盛,带动了板胡艺术的发展。新中国成立后,板胡从“幕后”走到“台前”,发展成为独奏乐器。从此板胡艺术发展逐步兴盛,在早期板胡艺术工作者们的带领下,板胡艺术发展越来越多样化、规范化。现如今,中国社会经济快速发展,全球化带动了文化艺术的交流,艺术领域呈现出“百花盛开”的大好景象。在这样一个发展环境下,人们的审美需求和审美眼光也发生着改变。中国传统音乐艺术遭到了一定程度的冷落,板胡这个土生土长的艺术也正在淡出音乐的舞台。板胡艺术的再发展,传承至关重要。现如今,板胡教学体制不健全、师资队伍不够丰富、专业学生招生名额有限等问题,制约了板胡艺术的再发展。同时,板胡专业作品的创作数量还是有限,缺乏优秀的作曲家创作优秀的作品。而且板胡内部矛盾严重,地域性影响下的板胡缺乏交流。板胡的发展需要注入新鲜的血液,也需要新的思维。本文第一部分,笔者结合自身所学知识,对板胡发展历程做了简单梳理,从而推断板胡艺术发展兴盛是必然的,符合历史发展规律。第二部分,对板胡艺术发展现状进行了分析,从内因和外因两个方面分析板胡艺术发展存在的问题,并对板胡发展的前景做出思考。第三部分,笔者通过第二部分板胡艺术发展现状的分析看到目前板胡发展存在的问题并总结得出个人看法。
[Abstract]:Banhu, evolved from Xi Qin, the prosperity of opera music in Bangzi, led to the development of Banhu art. After the founding of New China, Banhu moved from "behind the scenes" to "in front of the stage" and developed into a solo instrument. From then on, the artistic development of Banhu gradually flourished. Under the leadership of the early Banhu artists, the development of Banhu art has become more and more diversified and standardized. Nowadays, with the rapid development of China's social economy, globalization has led to the exchange of culture and art. In such a developing environment, people's aesthetic needs and aesthetic vision have also changed. Chinese traditional music art has been neglected to a certain extent. Banhu, a native art, is also fading out of the stage of music. The re-development of Banhu art is of vital importance. Nowadays, Banhu's teaching system is not perfect, its teaching staff is not rich enough, and the number of students enrolled in major students is limited, and so on. Restricted the development of Banhu art. At the same time, the number of Banhu professional works is still limited, the lack of excellent composers to create excellent works, and Banhu internal contradictions are serious. The development of Banhu needs fresh blood and new thinking. In the first part of this paper, the author combs the development course of Banhu by combining with his own knowledge. It is inferred that the development of Banhu art is inevitable and consistent with the law of historical development. The second part analyzes the present situation of Banhu art development, and analyzes the problems existing in the development of Banhu art from internal and external causes. The third part, the author through the second part of Banhu art development status analysis to see the current problems of Banhu development and summed up personal views.
【学位授予单位】：吉林艺术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J632.22

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