鄂温克族音乐文化建构与认同——以巴彦呼硕敖包祭祀为例

发布时间：2018-04-05 00:31

本文选题：鄂温克族　切入点：政区敖包祭祀　出处：《中央音乐学院学报》2017年02期

【摘要】：敖包是草原文化的标志性符号之一,敖包祭祀是在鄂温克族、蒙古族、达斡尔族等中国北方少数民族中普遍存在的一种重要的民俗活动。不同类型敖包的祭祀场域下有着不同的参与群体与仪式组织形式,也建构了带有不同文化标识的敖包祭祀仪式音乐。这些音乐文本的建构,主观上体现了少数民族自治地区社会文化体系建设的需要,是民族与民族文化建构的结果,客观上为借助仪式中的文化符号与隐喻,结合其背后的真实语境解读文化表征所传达的意义,探寻族群边界变化与音乐文化变迁的轨迹提供了可能。本文以鄂温克族自治旗旗敖包——巴彦呼硕敖包这一较具代表性的祭祀个案为例,考察政区敖包祭祀场域下的民族音乐文化建构、表征与认同。
[Abstract]:Aobo is one of the iconic symbols of grassland culture. The sacrifice of Aobo is an important folk-custom activity that exists widely in the ethnic minorities of Ewenki, Mongolian, Daur and other northern China.Different types of Aobo have different forms of participating groups and ritual organization in the field of sacrifice, and also construct the music of Aobo ritual with different cultural symbols.The construction of these musical texts, subjectively reflecting the needs of the construction of the social and cultural system in the autonomous areas of ethnic minorities, is the result of the construction of the national and national cultures, and objectively refers to the cultural symbols and metaphors in the ceremony.Combined with the real context behind the interpretation of the meaning conveyed by cultural representation, it is possible to explore the changes of ethnic boundary and music culture.This paper takes Aoba-Bayan Husuo ao Bao, an Ewenki autonomous flag, as an example to investigate the construction, representation and identification of national music culture in Aobo sacrifice field.
【作者单位】：中央音乐学院;内蒙古艺术学院(原内蒙古大学艺术学院)音乐学院;
【基金】：国家社科基金全国艺术科学规划项目(西部项目)“鄂温克族敖包祭祀仪式音声的音乐民族志研究”(项目编号15ED175)阶段性成果
【分类号】：J607

【参考文献】