巴渝地区瑜伽焰口仪轨音乐的类型与结构——以重庆罗汉寺为例

发布时间：2018-04-05 00:33

本文选题：巴渝地区　切入点：瑜伽焰口仪轨　出处：《中国音乐》2017年01期

【摘要】：佛教仪轨是佛教音乐的重要承载,更是剖析其音乐形态的重要依据。因此,厘清瑜伽焰口仪轨的类型与结构是瑜伽焰口音乐研究之要务。本文以重庆罗汉寺常用的三类瑜伽焰口仪轨延生、往生、功德焰口为例,探究巴渝地区瑜伽焰口仪轨的类型与结构,将其现象文本与生产文本进行比较,又分别将其生产文本和现象文本与其他地区的生产文本和现象文本进行四维立体比较,稽考流变。本文认为,全国汉密系统下的瑜伽焰口仪轨结构共性是必然,是内核,个性是或然,是表象,而仪轨用乐则是共性与个性并存,偏重个性。佛教义理、宗教功能与在地化选择是仪轨结构及其用乐传播与流变的自发因素,封建大一统国家礼乐制度是佛乐一体化进程的重要保障。
[Abstract]:Buddhist ritual is an important carrier of Buddhist music, but also an important basis for analyzing its music form.Therefore, it is important to clarify the types and structures of yoga pyrotechnics.Taking three kinds of Yoga pyrotechnics in common use in Luohan Temple in Chongqing as examples, this paper probes into the types and structures of Yoga ritual in Bayu area, and compares the phenomenon text with the production text.The production text and phenomenon text are compared with the production text and phenomenon text in other regions respectively.This paper holds that the common structure of the Yoga fireworks instrument system in the whole country is inevitable, the core is the core, the individuality is the probability and the appearance, and the instrument music is the coexistence of the generality and the individuality, and the emphasis is on the individuality.Buddhist justice, religious function and local choice are the spontaneous factors of the ritual structure and its spread and evolution with music. The feudal monolithic national ritual and music system is an important guarantee for the process of the integration of Buddhism and music.
【作者单位】：中国音乐学院音乐研究所;西南大学音乐学院;
【基金】：2016年国家社科基金一般项目“西南民族地区佛教音乐与基层社会治理研究”(项目编号:16BMZ069) “中国博士后科学基金第57批面上资助项目”(项目编号:2015M571233) “北京市博士后工作经费资助项目” 西南大学学科团队研究项目“西南民族艺术创作与研究项目”(项目编号:2362014xk21) 2016年中央高校基本业务费专项重大培育项目资金资助(项目编号:SWU1609110)的阶段性成果
【分类号】：J608

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