唐宋礼乐思想转型的先声——以孔颖达《礼记正义》的注疏为例

发布时间：2018-04-20 15:26

  本文选题：《礼记正义》 + 《乐记》　； 参考：《中国音乐》2017年02期

【摘要】：以经学转型为学术背景,以汉宋之学分野的学术方法为切入点,以《乐记》篇和《礼运》篇的义疏为研究个案,以礼乐思想、经义诠释和概念范畴的义疏为线索,运用传注学方法综合考察《礼记正义》中的礼乐思想变迁问题。通过对比郑玄注和孔颖达正义中关于礼乐关系以及对于心、性、情的认识,发现唐代不同于汉代的经部礼类注疏文献中的理解。在礼乐思想领域,初唐孔颖达(574-648年)的《乐记正义》更早地发出了"言先王制乐,本人性情。礼乐兼有,所以为美"的呼声。礼乐制度操作层面的乐律思想变迁,体现在对《礼运》中"十二律管更相为宫"的生律法义疏体例中。
[Abstract]:Taking the transformation of Confucian classics as the academic background, taking the academic method of the separation of the Han and Song dynasties as the breakthrough point, taking the meaning and thinness of Le Ji and Li Yun as the research cases, and taking the idea of rites and music, the interpretation of the classics and the meaning of the concept category as the clue. This paper makes a comprehensive study of the changes of the thought of Rites and Music in the Book of Rites by means of the method of biographical annotation. By comparing Zheng Xuan's notes and Kong Yingda's understanding of the relationship between etiquette and music as well as the heart, sex and emotion, it is found that the Tang Dynasty is different from the Han Dynasty in the understanding in the literature of the Confucian classics and rites. In the field of propriety and music thought, in the early Tang Dynasty, Confucius Yingda 574-648) "the justice of Yue Ji" earlier issued "the first king of speech to make music, my temperament." Both etiquette and music, so that the United States, "the voice." The changes of music and law in the operation level of ritual and music system are embodied in the way of creating the law of justice in the "twelve laws are more like the palace" in the Book of Rites.
【作者单位】： 中国音乐学院;
【分类号】：J609.2
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本文编号：1778341