奏鸣性:构建音乐作品结构的主线

发布时间：2018-04-20 15:45

本文选题：音乐的形式(曲式) + 奏鸣曲式　；参考：《中国音乐学》2017年03期

【摘要】：讲述音乐作品的结构、组织方式,不能回避音乐的句法结构中的二部性与三部性曲式原则,以及在此基础上形成大型曲式类型。奏鸣曲式的结构陈述常常被比喻为类似文学作品人物和情节的陈述方式。呈示部(exposition)讲述故事主干情节,主要人物(主部)、辅助人物(副部)、相关人脉联系(连接部)、总结之前的"因果关系"(结束部)。调性布局关系则可以比喻为小说中人物产生的社会背景和滋生的土壤。本文论证了在不同历史时期,随着作曲技法的不断更新,"奏鸣性"也以不同的面貌展现其结构内涵,现代音乐的各种参数(音高、音色、节奏、节拍、速度力度、表演方式)等等,参与了结构组织逻辑的构建,由此也引申出现代音乐范畴中种种复合型的音乐结构方式。从曲式原则到音乐结构逻辑是一条连接音乐结构发展的有机线索,其中奏鸣性是其结构主线。
[Abstract]:On the basis of the structure and organization of musical works, we can not avoid the principle of bipartite and trilateral forms in the syntactic structure of music, and on this basis, form the types of large-scale musical forms. Sonata structural statements are often likened to literary characters and plots. The presentation part expositiontells the story's main plot, the main characters (the main part, the auxiliary character, the relative connection, the conclusion of the former "causality"). The relationship of tonal layout can be compared to the social background and breeding ground of the characters in the novel. This paper demonstrates that in different historical periods, with the continuous updating of composition techniques, "playing and singing" also shows its structural connotation with different features, and various parameters of modern music (pitch, timbre, rhythm, rhythm, speed), It takes part in the construction of the structure and organization logic, and thus extends all kinds of complex musical structure in the category of modern music. From the principle of musical form to the logic of music structure, it is an organic clue to connect the development of music structure.
【作者单位】：中央音乐学院作曲系;
【分类号】：J604

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